Inferno: The Making of 'The Expendables'

A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.

It's a condition known as "hypertrichosis" or "Ambras Syndrome," but in the 1500s it would transform one man into a national sensation and iconic fairy-tale character. His name: Petrus Gonsalvus, more commonly known today as the hairy hero of Beauty and the Beast.

Dinosaurs Vs. Apes: DINOSAUR MOVIES and HOLLYWOOD GOES APE! have been hailed as the definitive documentaries on the prehistoric and anthropoid creatures that have appeared on the silver screen. Filled with rare movie clips, behind-the-scenes footage and interviews.

A documentary about Hong Kong cinema mythology via Julien Carbon and Laurent Courtiaud’s experience as screenwriters in the HK film industry, working for Wong Kar-wai, Tsui Hark, Daniel Lee and Johnnie To

For how long have we been laughing? Are human beings the only ones to laugh? In the past, scientists tended to neglect such questions of laughter, leaving them to the philosophers. Jacques Mitsch's A NATURAL HISTORY OF LAUGHTER explores recent scientific attempts to explicate this most elusive of human faculties, undertaken by scientists who see it as a means of approaching some of the larger mysteries of neurology and human behavior.

In the early nineties, before the massive gentrification of many of New York's then slums, several young people from very disparate backgrounds left their broken homes and ventured onto the brutal streets of the city. United by their love of skateboarding, they formed a family and built a unique lifestyle that eventually inspired Kids, a groundbreaking and outrageous film directed by photographer Larry Clark and released in 1995.

A documentary about the Synthwave scene, nostalgia and the universe of creating sounds. A love letter to human fascination and the collective memories of a universe, that never existed.

The story of one of the great environmental disasters to befall the United States, and the terrible movie that helped bring the catastrophe to light.

The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.

Dialogue-free short detailing the daily tasks of a man and his wife.

Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

Lágrimas rojas

For decades Italian genre cinema dominated the world and before changing beyond recognition it went to unthinkable places. Giants don't die quietly however and this is the story of an industry's most absurd, extreme, blood-soaked fight for survival. Through dozens of brand new interviews, and never-before-seen archival materials, with the men and women who were there during one of the most unique moments in film history, MASTERS OF MAYHEM tells their stories of scandal, contradictions, drama and outrage.

Manuel Horrillo has visited for 7 years the fields where the clashes between the Spanish troops and the rebels of the protectorate took place during the so-called Rif War, a forgotten war of the Spanish collective imaginary.

Los 5 Faust de F. W. Murnau

Gonzalo Suárez: Sam Peckinpah, director salvaje (TV)

The Cinema According to Dalí

Albert Camus, la tragédie du bonheur

Orson Welles y Goya

How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.