Popcult Japan

A savage journey into the heart of underground Tokyo rock and roll, a look at the people who make it thrive, and stories of their dedication to keeping DIY culture alive.

In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.

By following the lives of five Japanese individuals this documentary explores the problem of depression in Japan and how the marketing of anti-depressant drugs has changed the way the Japanese view depression. Marketing of anti-depressants did not begin in Japan until the late 1990s and prior to this, depression was not widely recognized as a problem by the Japanese public. Since then, use of anti-depressants has sky-rocketed and use of the Japanese word "utsu" to describe depression has become commonplace, having previously been used only by psychiatric professionals.

Just after midnight on 10 March 1945, the US launched an air-based attack on eastern Tokyo; continuing until morning, the raid left more than 100,000 people dead and a quarter of the city eradicated. Unlike their loved ones, Hiroshi Hoshino, Michiko Kiyooka and Minoru Tsukiyama managed to emerge from the bombings. Now in their twilight years, they wish for nothing more than recognition and reparations for those who, like them, had been indelibly harmed by the war – but the Japanese government and even their fellow citizens seem disinclined to acknowledge the past.

Using never-before-seen footage, Japan's War In Colour tells a previously untold story. It recounts the history of the Second World War from a Japanese perspective, combining original colour film with letters and diaries written by Japanese people. It tells the story of a nation at war from the diverse perspectives of those who lived through it: the leaders and the ordinary people, the oppressors and the victims, the guilty and the innocent. Until recently, it was believed that no colour film of Japan existed prior to 1945. But specialist research has now unearthed a remarkable colour record from as early as the 1930s. For eight years the Japanese fought what they believed was a Holy War that became a fight to the death. Japan's War In Colour shows how militarism took hold of the Japanese people; describes why Japan felt compelled to attack the West; explains what drove the Japanese to resist the Allies for so long; and, finally, reveals how they dealt with the shame of defeat.

A documentary exploring what it means to be Japanese.

What threads of history bind Manhattan's Ground Zero to those of Nagasaki and Hiroshima? Or connect sight to truth, games to war, or the silkworm to the drone? What does the United States hold to be the role of science in warfare? How has war historically been waged in Buddhist traditions? These are some of the topics addressed in Eyewar: 80 minutes of found footage which traces the development of the digital image from the maps of the second century to the screens of the twenty-first, and the uses of the field of cybernetics from Japan in the 1940s to Chile in the 1970s and Iraq in the 1990s.

Join Phil Morrison and James Robinson from Driftworks, Mitto Steele from MeiNoMai and Pieter Gouwy from Garage Portello on a mind blowing tour of the real drift scene in Japan and the culture behind it.

In 1985, Chris Marker traveled to Japan to attend the filming of Ran, directed by Akira Kurosawa. Marker analyzes the progress of filming; the infinite patience of a team under the orders of a meticulous director down to the smallest detail; the antithetical mixture of the modern with the traditional; of the real with the fictitious; of life with cinema… and literature.

Documentary shot with 17 cameras covering a gigantic free party featuring two bands and an idol unit. Produced by HMJM of the unorthodox hit The Sex Cannon Ball Run 2013, The Movie, with Iwabuchi Hiroki as director. November 18, 2015. Throngs of people gather at the concert hall LIQUIDROOM in Ebisu, Tokyo in response to an appeal from Asami Hokuto of the rock band Have a Nice Day! The concert picks up momentum and a mosh pit forms in the audience.

The world continues to look to Japan as a highly industrialized, future-oriented country that has retained much of its ancient tradition. This series provides an insight into the character of a highly complex nation by examining the lives of nine Japanese from widely diverse backgrounds in the context of social and economic developments.

A documentary film that includes footage of past Olympics held in different countries with an particular emphasis on the activities and successes of Japanese athletes and how they are currently (circa 1963) improving themselves.

Through the lives of professionals working at Tsukiji Fish Market in Tokyo, the film portrays how Tsukiji has been the center of fish culinary culture and helped Japanese food culture to flourish as we know it today.

The Cove tells the amazing true story of how an elite team of individuals, films makers and free divers embarked on a covert mission to penetrate the hidden cove in Japan, shining light on a dark and deadly secret. The shocking discoveries were only the tip of the iceberg.

Feature documentary debut of 29 year old director Kei Tanaka. In the Japanese town of Kawasaki, elderly residents who have lived hard lives are now facing their own death at a public housing complex called “Danchi“. The young director explores and depicts the ageing population in Japan by focusing on the personal lives of few individuals who live quietly on the outskirts of society. While some of the protagonists chose to interact and establish friendships with their fellow elderly residents, others prefer to spend the rest of their years in solitary.

On April 1, 1945, the United States military launched its invasion of the main island of Okinawa, the start of a battle that was to last 12 weeks and claim the lives of some 240,000 people. This film depicts the Battle through the eyes of Japanese and American soldiers who fought each other on the same battlefield, along with Okinawa civilians who were swept up in the fighting. The film also depicts the history of discrimination and oppression forced upon Okinawa by the American and Japanese governments. Carrying up to the current controversy over the construction of a new base at Henoko, the film explores the root causes of the widespread disillusionment and anger expressed by many Okinawans. This ambitious documentary was directed by the American John Junkerman, long-term resident of Japan and Oscar-nominated documentary filmmaker. Okinawa: The Afterburn is a heartfelt plea for peace and an expression of deep respect for the unyielding spirit of the Okinawa people.

A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.

This documentary was written with passion and love for cinema, and on the other hand, he blamed her. Our fictional character for this documentary talks about her passion for cinema and how it affected her life and recounts the decades that passed on the cinema one after the other.

Welcome to The Great Happiness Space: Rakkyo Café. The club's owner, Issei (22), has a staff of twenty boys all under his training to become the top escorts of Osaka's underground love scene. During their training, they learn how to dress, how to talk, how to walk, and most importantly, how to fake relationships with the girls who become their source of income. Join us as Osaka's number one host boy takes us on a journey through the complex and heartrenching world of love for sale in the Japanese underground.

Leaving Europe to look for Akiko, Jean-Noël discovers her city, the exotic Tokyo. A documentary on everyday life in Tokyo, its KABUKI theater, its nostalgic TAKENOKOZOKU dances, its thousands of suit-and-tie executives, its geishas, its Western style marriages, its tranquil green areas, its pulsating nightlife...