Under the Endless Sky

The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.

From its old age, a SIG-510 rifle tells the story of its military service as a weapon used by the Chilean army. It tells of his military training, its frustrated desire to serve his country, and the memories it has of the Coup d'état that occurred in 1973.

Reclaiming what was once stolen from him, a man journeys back to the place of his childhood nearly 80 years after his world came crashing down.

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Within the video, two screens coexist. On the primary screen, a repetitive action takes place - the photo in the hands is periodically blurred. The focus of the viewer's attention is shifted to the secondary screen, which is more dynamic. The face in front of the camera, resembling clay, tries to take on images from archival photographs and video recordings.

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.

Abroad at the time of her death, a grandson returns to revisit the house of his late grandmother, now occupied by another family. A reflection on the love for a home where one grew up and yet made by a grandmother missing another life, in another house, in another country.

In 1950s Italy, two middle-aged brothers go on a magical odyssey through their past as they take part in the world's most beautiful car race: the Mille Miglia.

The story of Queen Elizabeth II in her own words, featuring never-before-seen home movies.

Living Memories is a documentary film that traces the history of the director’s neighborhood and native country, Haiti, through a personal and engaged perspective. Brick by brick, through encounters and wanderings throughout Port-au-Prince’s neighborhoods, archival photos, graffiti, and animations, the filmmaker introduces us to architect Léon Mathon and the residential architecture of the early 20th century. Over the ruins of her family home, Dominique, the director's mother, an architect like her father and grandfather before her, searches through her memories and significant places for traces of the past and the history of her country. Many of her landmarks are no longer there. From this tragedy arises a quest — a need to reconnect memory and history to understand the present better. The filmmaker follows her mother during her journey, capturing her reflections and conversations and documenting them to bring memories back to life.

Catarina comes across a traveling circus and meets Aaqil. She must uncover the truth and avoid doom flags!

Filmmaker Maarten de Schutter attempts to reconstruct the lost memories of his mother, AIDS activist and feminist anthropologist Martine de Schutter. Ten years after she was killed, he explores her life and their relationship in order to thoroughly connect with what is left behind. The film is a disassembly of memory, motherhood and loss, driven by the infinite love between mother and child.

A beautiful collection of pictures ties Frank Cancian, an elderly photographer and retired professor of anthropology, American with origin from Veneto, to the people of Lacedonia, a small town in southern Italy. Thanks to the rediscovery of the photos taken in 1957 by the young Cancian in that rural village where he had arrived almost by chance, the story resumes there where it was interrupted 60 years earlier. And the thread of memories ties back to people and places, bringing with itself some essential reflections on how photography can become an ethnographic look at small communities.

Son Bir Numara

Nested Sequence

A visual essay on the stimuli that draw a bridge to past memories of my life; a real documentary about where I was and where I am, what I did and what I do; a reflection of the person I was and continue to be.

In this anime anthology, a salvage ship crew happens upon a haunted vessel in "Magnetic Rose"; a cold tablet turns a lab worker into a biological weapon in "Stink Bomb"; and an urban populace carries on an endless war with an unseen foe in "Cannon Fodder."

The Water Map is an essayistic journey through the ethnography and landscapes of the Region of Murcia. These places are in the process of disappearing due to the increasing and abundant agricultural exploitation. Water has marked the territory and the culture of the area, and with its disappearance, the memories of four characters fade away.

In the summer of 1961, a group of young Italian anthropologists made a clandestine journey through Spain, in order to record popular songs that supported anti-Franco resistance. As a result of their work, they were prosecuted and their recordings were censored. Sixty years later, and guided by Emilio Jona, aged 92, the last living member of that group of travellers, we recover the unpublished recordings and reconstruct the journey, today, across an emotional and political landscape, regaining historical memories through these songs, as relevant today as they were then.

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