The Dancing Voice of Youth

A short fil that follows a body subjected to institutional and diffuse forms of power: medicalization, psychiatric labeling, regimes of sexuality, and everyday violence. Moving between a white clinical space, a cemetery in Toulouse, and ordinary interiors, the film unfolds through gestures, textures, and encounters with other bodies. Inspired by Michel Foucault, Deleuze and Guattari, Artaud, Rancière, and critical thought from Latin America, this short film traces a sensitive cartography of emancipation and asks a simple yet difficult question: what can a body do when it attempts to reclaim its own history?

A girl gets ready for a party, but the process of removing her makeup turns painful

Experimental short film

The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.

A pseudo-documentary follows an unnamed raver obsessed with the extreme sub-genre "gabber," as he drifts through his lonely day by day, far from home and far from his culture.

Kaito lost his sister who was his lover in his childhood. He severed all contact with the outer world for twenty years and devoted his time to writing down memories of his sister. One day, a week before the manuscript is to be completed, a woman visits his room. She burns all his papers and takes him to the city to cut him off from his memories. Nevertheless, Kaito cannot stop writing about his sister. The woman decides to lead him on a journey to ultimate hell.

The film intersperses carefully framed shots of unfamiliar Hamburg cityscapes with silent, close-ups of ballerinas from the Hamburg Ballet, images reminiscent of Andy Warhol’s “Screen Tests”.

Perhaps the first experimental color film made in Uruguay, Color was the work of a pioneering woman filmmaker, still a teenager at the time of the film's completion. Millán had a number of vérité shorts under her belt by this point, but none in such gorgeous color.

The original format is 8mm film (single8), and once the developed film is incompletely layered on the undeveloped film, it is projected onto a curtain swaying in the wind by shining light at an angle with a penlight. Created an effect.

experimental piece exploring existentialism, time, age and space

A fight between the actor and the editor

Two damned women escape from hell and discover the modern world. They are followed by Hades coming to collect their souls.

A sunflower dances in the wind. Mother sleeps. The setting sun shimmers.

A life, seen through paper.

Fireworks

Daner's mission is to get someone to the border, but he'll need the help of everyone at Benbas to do it, will they succeed?

A person spends most of their life mourning the things they have lost, unable to move on. They frequent a silent but helpful medium and embark on a spiritual journey where they linger among their past lives.

A young man deals with loneliness and depression.

A lonely man tries to enjoy a regular evening

Two roommates try to come up with character ideas for a comedy show.