Faust's Other: An Idyll

Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.

Things become shrouded when The Loner discovers a dead body outside his home. His mind becomes a prison of contradiction, falsification and fear when a series of dreams push him to realize the truth.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Image analysis in slow motion. Distortion and reversed reality perspective.

Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.

Along with vegetable and sea life, the camera is but one element of a sensual ride along a coastal road and playground in this masterful short.

Niki is a child who chases butterflies through a chaotic landscape in a home-made samurai costume, and attempts to prepare for a catwalk. Niki is on a journey to find meaning, to understand a crazy world that does everything it can to get rid of anyone who doesn't fit in - an inner journey to become a human being.

When the strongest earthquake in a century hit Mexico in 2017, everyone had eyes on the rescue of 12-year old Frida - until the story took a very strange twist.

Experimental short film based on M.C. Escher's paintings.

Executed and printed with two hands, that is to say, made using all possible means of imprinting the right and arm freshly applied ink, sand paper, stamps, etc. Everything was done on non-emulsion clear leader.

Jours de mes années

Glimpses of lives from a village in Assam reveal the relationship between its history and the present. People’s lives and beliefs are entangled with ecological strings , as nature stands witness to the narratives that unfolded there. A young boy, Rahul, hopes to write a book on his experience of growing up in this village. His mother, being deeply connected with nature can sense messages and signs arising from nature.. Urmila, a pregnant lady, is driven by sensorial experiences. But, In contrast to the serenity and harmonious living; there lurks a violent societal past.These peaceful and quiet lives intersect in a space where traumatic memories of death and loss in Assam’s thirty years of secessionist movement keep resurfacing.

An abstract, minimalistic showpiece of late structuralist film made up of 360-degree pans across a children’s playground – and to one of the gods of his cinephilic pantheon, Anthony Mann. In concrete terms, he alludes here to a scene in Mann’s Glenn Miller Story in which black-and-white documentary material from the Second World War is in experimental film fashion nightmarishly intercut into a scene, breaking with Hollywood conventions.

A very personal interpretation, to say the least, of the passion of the Christ According to St. John.

A family prepares to meet friends.

Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical commentary on the way the media presented the tragic event.

A stranger arrives in Sarajevo and barges into Damir's reclusive world. Little by little she takes over his life. She absorbs his dreams, until finally she threaten his very existence.

God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.

A BFI production from 1964, directed by David Gladwell, who is best known as an editor of films like Lindsay Anderson's If.... (1968) and O Lucky Man! (1973). This short was shot at 200 fps, depicting a series of pastoral scenes from a British farm, edited to produce a suggestion of violence in contrast to its visual beauty.