Desejo Expõe Suas Orbras (Desire's Exhibition)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.

In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.

'Kiki de Montparnasse' was the unwary muse of major avant-garde painters of the early twentieth century. Memorable witness of a flamboyant Montparnasse, she emancipated from her status as a simple model and became a Queen of the Night, a painter, a press cartoonist, a writer and a cabaret singer.

a life size stop motion child puppet races through memories and daydreams reflecting on the cyclical nature of life.

An abstract film on the music 'Unfinished' 8th Symphony, part 1, by Franz Schubert by Oerd van Cuijlenborg

Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.

Goodbye Che Bei

Canterlot high will be hosting a competition between schools, and Vice Principal Luna needs a new banner design for the occasion. She tasks three students to design it: Flash Sentry (a musician), Micro Chips (a science nerd), and Sandalwood (a New Age-style artist)

A surreal, experimental, minimalistic animated film that dives into the inner recesses of creativity, imagination, longing and inspiration. Taking place from the somber point of view of a young wizard as he lives out his day, watching over a little town. Le Geniaque pays homage to Georges Melies and 1920s silent films in general.

Break

3-D is a hand-painted experimental short film by Riley Hogan. Acrylic paint, ink and scratching were used to animate on clear Super 8mm film leader.

The hectic life of a modern city. Surreal animation by Jerzy Kalina

Chamyto Tapes V1

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

A fiddler's hand creates its own choreography is music is performed. This film is an attempt to share the dance. In the tradition and spirit of a Norman McLaren short, a light attached to a fiddle bow traces a dancing dot of light in darkness. The music was composed and is performed by Gordon Stobbe on fiddle and accompanied by Bill Doucette on guitar.

At the intersection between animation, ceramics, film, as well as printmaking, Honeydew, Darling is employing an interdisciplinary approach to explore the transient relationship between time and identity as it relates to queerness.

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.