Alexa Boulton: Cinema

HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.

Jacques Villeret, drôlement tragique

Dirty Dave grimsley is a pint size blend of Randall McMurphy and "One flew over the cuckoo's nest" and George clooney's, Ulysses Everett McGill in "oh brother where art thou" also known as 'dammit man" and "Tom Sawyer" because of his profane hucksterism, Dave is a hard drinking leprechaun with the gift of gab, a heart of gold and not a pot to piss in. He runs a homeless camp while waiting for local authorities in Volusia county, Florida to donate public land for tiger Bay village, a community of services for adults who fall through the cracks.

A two parts making of documentary, following José Augusto Silva and his film crew during the shooting of a university short film called Castelo.

Ten years after winning a world title in bodybuilding in Russia and becoming a star of said discipline in Mexico, Antonio Osta (43) leads a life of austerity in the Uruguayan rural town where he grew up. He resides there with his son Juanjo (17), a sensitive teenager who keeps him company and confronts him openly. Suffering from acute kidney disease which keeps him from competing professionally, Antonio is stuck in limbo, halfway between his glorious past and the impossibility of being who he once was. However, he is unwilling to give up his lifestyle, even if it kills him. In an attempt to reinvent himself, and seeking a better future for his son, Antonio plans a comeback to the Mexico bodybuilding scene, where he may relive his glory days.

Les voyages de L'Atalante

Hot Spots: Martin Parr in the American South, a thirty minute documentary short, examines the photography of Magnum's most controversial and prolific member as he gathers images for his first commission by a major American art museum, the High Museum of Art in Atlanta. From the first shot at the Cactus Car Wash to the unusual travel tip offered to Martin at the Atlanta Steeple Chase six months later. Psychobillys, tailgate partiers, roller derby teams, art collectors and gamblers...Martin Parr's energy and x-ray vision burn through the South like a modern day William Hogarth's. The film features interviews with Susan Meiselas, Philip Gefter, John Gossage and Julian Cox. Hot Spots shows us Martin Parr at his most outrageous.

Rare documents and details of the film's story. From its initial option to its critical reception and legacy. Director David Weisman, who also produced "Kiss of the Spider Woman", comes off as rightful creative force behind the production, as it was his true passion. Very detailed comments from all the participants, from the author of the book to the lawyer for the production company, the actors, director, writers, producer, and crew members.

Telugu Film Director Vamsy, reminisces about his early days as an Assistant Director Working at "Seethakoka Chilaka" sets with his Mentor Bharathi Raja and how he made a Unique Trailer Cut for the Film.

Telugu Film Director Vamsy Shares the Story of Actor Rajanala.

Telugu Film Director Vamsy Expresse his Train Journey with Music Direcor Ilayaraja.

A feature-length documentary exploring the history, production, and legacy of the cult horror film Hardcore Poisoned Eyes. Featuring new interviews with cast and crew, Rewound: Hardcore Poisoned Eyes examines the film’s origins, underground reputation, and restoration from original source materials. Produced in conjunction with the film’s 25th Anniversary Blu-ray release.

There are two Bergmans. One speaks English, the other Italian. They fall in love and set off impulsively to live together. But reality is far from easy. As the rift between their emotions deepens, what choice will they make? And what kind of ending awaits them?

Forty years after the release of Claude Lanzmann’s monumental film Shoah, Guillaume Ribot reveals the director’s relentless pursuit to tell the untold, using only Lanzmann’s words and unseen footage from the masterpiece.

France, le plus beau décor de cinéma

In an industry that is becoming increasingly competitive, what drives indie filmmakers to keep creating their art, even when there is no promise of money or fame? CREATE OR DIE explores the insatiable passion to create despite the overwhelming odds through the lens of South Carolina writer and filmmaker David Axe, as he and his band of cast and crew head out into the backwoods of Georgia to shoot his low budget passion project ACORN. But when tragedy strikes on set, doubt and tension threaten to bring an end to their production and their dreams.

Every year, thousands of German citizens travel to India, hoping to have a spiritual awakening of their own. In turn, they end up taking bits and pieces of Indian culture back home with them, creating a distorted version of Indian religion that’s practiced widely across Europe. The number of yoga institutes, ashrams, and Sanskrit institutes in Germany indicates that younger generations are far from giving up on this trend. Some are so enamored by this version of Indian culture that they travel thousands of kilometres to meet their spiritual advisors in tents, attend yoga sessions at 5 in the morning, and, in some cases, even adopt Indian names and clothes to try and connect more with this Eastern way of living. But exactly how prevalent is this trend?

The raft man Manuel Jacaré was swallowed by the sea when Orson Welles was filming It's All True in 1942. The fact evokes memories of the dictatorship of the Estado Novo, of World War II, of Ceará fishermen's struggle for labor rights and housing in their traditional space - target of real estate speculation.

Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.

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