No Way Back: The Reality of Gender-Affirming Care

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

Lies can kill. Transgender Nuclear Suicide Sojourner is an exploration of propaganda, lies, and the overwhelming urge to end it all.

The destiny of women is irrevocably linked to blood. Between tradition and modernity, the female body has been marketed, honored, and mutilated.

A compelling feature length documentary about five young people who neither feel male nor female, but rather somewhere in between.

In the 50s and 60s, deep in the American countryside at the foot of the Catskills, a small wooden house with a barn behind it was home to the first clandestine network of cross-dressers. Diane and Kate are now 80 years old. At the time, they were men and part of this secret organization. Today, they relate this forgotten but essential chapter of the early days of trans-identity. It is a story full of noise and fury, rich in extraordinary characters, including the famous Susanna, who had the courage to create this refuge that came to be known as Casa Susanna.

Katie Couric travels across the U.S. to talk with scientists, psychologists, activists, authors and families about the complex issue of gender.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

In 1968, Gordon Langley Hall claimed he was a woman misdiagnosed as male at birth because of a genital defect. To correct this, Gordon underwent one of the first sex reassignment surgeries in the United States. Her subsequent marriage to a black auto mechanic and the mysterious birth of their daughter Natasha sent Charleston, SC society into a fury and cast serious doubts on the truth behind Dawn’s story.

The story of the sexual memoirs of a Victorian gentleman who revealed himself as Walter. He documented his liaisons in a frank series of journals which ran to eleven volumes and 1.5 million words, titled 'My Secret Life'. Within the journals he documented details of his liaisons, the names of the women, their social standing, and their conversation. For a century, this material was considered obscene, its publication illegal. Today, however, it's seen as a unique insight into Victorian social and sexual mores, providing valuable information on class, gender, marriage, fidelity and morality. This film looks at the dark life of 'Walter', and examines the way his journals have shaped contemporary understanding of Victorian society. The film also examines the mystery that has surrounded this story - who exactly was 'Walter'? The film asks whether he could have been Henry Ashbee, a wealthy London gentleman who was obsessed with sex and attained a pornographic library of over 15,000 volumes.

When Will Ferrell's good friend Harper comes out as a trans woman, they take a road trip to bond and reintroduce Harper to the country as her true self.

In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.

Edhi Alice: REVERSE begins from the perspective of Edhi, who is about to undergo gender confirmation surgery, and transitions into the journey of another protagonist, Alice, as she comes to terms with her body. The narrative of transition expands beyond a personal life story to encompass relationships, bodily experiences, and the sense of space, becoming a cinematic transformation.

Kelet is a twentysomething black trans woman, whose greatest dream is to be on the cover of Vogue magazine. For the Finnish-born and Manchester-raised Kelet, such models as Naomi Campbell and Iman served as role models giving her strength – and during the darkest times, kept her alive. After coming out, then 19-year-old Kelet was cut off from her family and she moved back to Finland on her own.

In French Polynesia, transgender people evolve with apparent fluidity in all components of society. Their presence, observed as early as the 18th century by Western travelers and missionaries, has never ceased to intrigue and fascinate, producing over time numerous myths that the transgender women and men of Polynesia are today attempting to deconstruct. Through a series of luminous and intimate portraits, this documentary gives them a voice and proposes a rereading of gender issues in the light of Oceanian thought: an obvious enrichment.

More than 50% of transgender boys have attempted suicide. Through two life stories, directors Lexie and Logan unravel why their community is particularly vulnerable to living and dying quietly.

Two men undertake a thought-provoking journey to parenthood. Not by adoption or surrogacy, but by Frankie, a trans man, carrying their baby. Made with support from NZ on Air.

At the age of 15, can you know if you ever want to conceive or give birth to a child? The team coordinator at the gender clinic in the Dutch city of Zaandam is doubtful. And yet this is one of the questions he asks the young people who register for psychological guidance. A fellow psychologist trusts that young people know what is good for them. He is a trans man and one of the experts by experience who work at the clinic. The use of language, already such a sensitive instrument, proves to be more complex than some expect. There are those who see it as unnecessary to mention your pronouns when you introduce yourself, but the majority are in favor. Director Ingrid Kamerling switches smoothly between observation and interviews. Above all, there is a sense of the need to equip young people and their parents as well as possible for the emotional journey of drastic change that lies ahead of them.

When facing a path with no future or precedent success, will we ever choose to stay? Cheuk Cheung’s My Way explores the Cantonese Opera tradition of male Dan performers, men who play female roles, against the backdrop of a Hong Kong society increasingly putting less value on art. Although female performers have long been part of the mainstream of Cantonese Opera, the film follows the stories of two young men who are still fascinated by the art of the male Dan, striving to find their own way to carry on the practice. A moving and searching look at the struggle for identity, My Way is a colourful, musical and moving film which offers a unique and highly personal look at perseverance in the face of a changing society.

7-year-old Sasha has always known that she is a girl. Sasha’s family has recently accepted her gender identity, embracing their daughter for who she truly is while working to confront outdated norms and find affirmation in a small community of rural France.