Framing Agnes

The work deals with the election campaign of Vladimir Luxuria, the first transgender woman to sit in the Italian Parliament. She started off as an entertainer in gay nightclubs, found fame in television parlours and achieved consecration as a defender of LGBT rights by organising the first World Gay Pride in Rome in the Jubilee year. Luxuria entered parliament and with her emerged a social cross-section of an Italy that is changing in spite of prejudice. Thanks to her social battles around Italy, the voices of LGBT people gain visibility and social recognition

After 11 years confined to her family home, Adelina flees from a Georgian village to Vienna in search of the freedom to be herself. As she builds a new life, she faces a past that refuses to let her go. Through immersive imagery and the mother-daughter bond, A Song Without Home paints a layered portrait of belonging and the complexity of freedom beyond physical liberation.

A timeline of transformation, compiled from 8 years' worth of photos by and of transgender actress and filmmaker Robyn Adams.

Ary Zara lives in limbo trying to understand who he really is. Refusing the gender binary categories that society imposes, at the age of 28 he decides to explore his identity by facing a physical and emotional transformation. A three-year journey revealing what is on the other side of the mirror through the courage, doubt and freedom of a deeply intimate process of self-discovery.

Ancla

Caught between societal expectations and family obligations, a closeted trans woman in China faces a harrowing choice: risk social abandonment by embracing her true self, or endure the mental strain of remaining invisible to stay safe.

Tien is the first Asian trans man to publicly come out in the Vancouver, then, gay and lesbian community of 2001. In this profound and inspiring film, Tien shares his story as a trailblazing, racialised, transgender immigrant and his journey to discovering his true purpose in life — cultivating and becoming joy.

The brutal and often poignant story of a boy trapped in the body of a girl. It takes us on the journey of a typical Afrikaans child who faces self-hate, societal rejection, doubt and ultimately healing. A story about a transgender child fighting to find their place in the world.

A community of bowlers outside of Cleveland cope with fundamental change when new owners take over at a landmark alley and a longtime league member comes out as a trans woman.

A music short based on the true story of Rafaela Amrita Crevoshay (aka Rita), who transitioned from male to female at the age of 76 years after a lifetime of hiding. The raw footage of the music video was created using Grok Imagine.

In this fascinating documentary on transsexuality, Dr. John Money shares his ideas on gender identity. Dr. Money is well known for his research on what makes a person become heterosexual, homosexual, bisexual or transsexual. In this film he presents his ideas on the anatomical and biological factors that steer one towards masculinity or femininity, sorting them out from the historical, cultural and sociological influences. Sex and Money shows people in various stages of transsexual transformation. We see the adaptations they have made with their families and partners, and note that they seem able to lead rather conventional lives.

Actress and filmmaker Robyn Adams discusses her experiences with autism, gender identity, and learning to embrace her flaws. Also, she's Frankenstein's Monster now.

In this documentary, director Rhys Ernst tells the previously untold histories of transgender pioneers. Trans people have always been here, throughout time, often hidden in plain sight.

Mona is a 22 year old trans girl from a small village in France. She puts needles attached to peacock feathers in her skin, under bright lights, late at night. She bleeds, half naked, in front of small crowds of people. Sometimes they faint whilst watching her. Why would she do this? How did she learn to do it? And why would someone want to watch?

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

A short documentary about wine, vulnerability, and queer experiences. It explores the effects of alcohol on intimate conversations and the tone of discourse between young adults, taking into account that this is a method of facilitation often used during social interactions.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

Shot on three cameras over the life cycle of one snowfall, Decaying Vessel is an expression of transness and the feeling of being stuck in a body bound by time.

Kelet is a twentysomething black trans woman, whose greatest dream is to be on the cover of Vogue magazine. For the Finnish-born and Manchester-raised Kelet, such models as Naomi Campbell and Iman served as role models giving her strength – and during the darkest times, kept her alive. After coming out, then 19-year-old Kelet was cut off from her family and she moved back to Finland on her own.

In Córdoba, far from the Argentine capital, the end of a military regime promises a spring that is all too brief. “La Delpi” is the only survivor of a group of friends who are transgender women and drag-queens, who began to die of aids in the late 80s. In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship.