María Domínguez. La palabra libre

An essay on memory that explores the vision of life and death in the Far East. Shot in five Asian countries over three years, it recounts the director's real experiences.

Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.

Explores the hot-button issues around the striking gender gap in Hollywood. Both women and men in the entertainment industry share first-person insights, questions, and anecdotes about the place of women in Hollywood.

On February 21, 1945, the Royal Canadian Air Force Halifax bomber NP711 with a crew of seven men took off from the Linton-on-Ouse air base in England for a bombing raid over Worms, Germany. The bomber never made it to its target. The Halifax was struck by anti-aircraft fire and crashed into a mountainside near Leistadt, Germany. All crew members were killed. The crash was so horrific that the wreckage was strewn over 1,000 meters. Seventy-seven years later the wreckage was recovered and the site was deemed a gravesite for the perished crew. This documentary film examines the last days of the seven-member crew and the recovery of the wreckage of Halifax NP711.

This half-hour documentary by acclaimed director Jonathan Demme ("The Silence of the Lambs") captures singer-songwriter Neil Young and his hard-rocking backing band Crazy Horse "live" in the studio playing a set of four songs. These sessions took place at the Complex Recording Studios in Los Angeles on October 3, 1994, just one day after Young's critically-lauded Bridge School Benefit concert. Earlier that year, Young and his band had recorded the studio album "Sleeps with Angels" at the Complex studios and came back to film a series of music videos. Jonathan Demme was there to document the recording session, which began at 6:30 pm on a Monday evening and concluded at 4:30 am the next day. "The Complex Sessions" is the result of these sessions. Set List: 1. My Heart (3:08), 2. Prime of Life (4:44), 3. Change Your Mind (14:56), 4. Piece of Crap (3:08).

In an extensive mini-documentary by Michelle Boley (@roguekite) and Taylor Gill (@taylorcgill) and produced by TYT and Rogue Kite Productions, the true story of what happened leading up to and after the 2016 California Democratic Primary is uncovered.

Jean-Luc Godard visits NYU in order to discuss his latest feature "La chinoise" with graduate students on filmmaking and politics.

A short news reel documentary about poster art.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

A documentary that examines the issue of forced live organ harvesting from Chinese prisoners of conscience, and the response - or lack of it - around the world. It's happened before: governments killing their own citizens for their political or spiritual beliefs. But it’s never happened like this. It’s happened so often that the world doesn’t always pay attention.

It's a warm spring night, and the bee cowboys of Prince Edward Island begin rounding up their hives.

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

In the decades after Bacon's Rebellion, an African man and an English woman - husband and wife - sing of their fate, their future as law by law, edict by edict, their family, their marriage, their love made illegal.

Based on the career of Roberto Dinamite, Vasco da Gama's biggest idol, we explore the magic of the goal and the connection with the stands in the figure of a player who personified the spirit of the club and its fans on the field

Kyabakura is a type of hostess club in Japan, inspired by French cabaret. There exists an ambiguous relationship between the clients, the men, and the hostesses, that should never materialize into a sexual relationship...There are strict rules, which of course, are designed to be broken.

In February 2012, I went to Ishinomaki, a town North of Tokyo that was half destroyed by the tsunami of March 11th, 2011, to meet the disaster victims who now live in temporary housing. I spent several days in the North, under the snow, listening to these people talk candidly about what they had lived through, telling their own stories without the media as an intermediary. Their testimonies were terrifying, harsh and sad, but at the same time touching, sincere and human. From the pictures and interviews that I collected, I decided to make a film, not to reflect how awful the events were, but to communicate the singular and even surreal nature of each person’s experience. My intention wasn’t so much to focus on this particular event in Japan, but rather to make these stories more universal as a way of paying tribute to all the victims of natural disasters throughout the world.

Recounts the epic of Vincennes Experimental University Center, from its creation after the events of May 68 until its demolition in the summer of 1980. To talk about Vincennes is to relive unique ten years of intense intellectual and political extravaganza, educational and artistic inventiveness, utopias, hopes, and betrayals that marked the history in a unique place, the forest with the eponymous name.

Follows dub poet master Linton Kwesi Johnson out of the recording studio onto the Brixton streets.

Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.

The subject matter of Memory Room 451 is the cultural and historical significance of 20th-century hairstyles – the Afro, the conk, dreadlocks – in Black communities on both sides of the Atlantic. Akomfrah has disguised this exploration as a science fiction story – in the manner of the groundbreaking writers profiled in The Last Angel of History – while providing a bravura display of the aesthetics of video art in the 1990s. The tale of visitors from the future who gather dreams from unwitting subjects in order to construct a history of the Black diaspora both defamiliarizes Akomfrah’s ongoing project and points to the danger that extracting history from memory can be a kind of expropriation.