Les réseaux de la haine

On nous appelait Beurettes

Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.

Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.

On June 21 2007, the Howard Federal Government launched an intervention into Aboriginal communities in the Northern Territory. It was one of the most dramatic policy shifts in the history of Aboriginal affairs. Relentless media attention focuses on ideological arguments for and against the Intervention, while the voices of those affected by the policy are rarely heard. For this film more than 40 Alice Springs town camp residents were interviewed in depth over the course of eight months to find out the answer to the question - is it working?

A teenage girl living in Baltimore in the early 1960s dreams of appearing on a popular TV dance show.

What happened when unarmed Black teen Michael Brown was fatally shot by White police officer Darren Wilson?

An account of the life of the brilliant jazz musician John Coltrane (1926-67), a gifted saxophonist, an extraordinarily talented thinker whose original, avant-garde work has impacted and influenced people all over the world. A story about music's ability to entertain, inspire and transform.

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.

Shots fired inside a club frequented by black Brazilians in the outskirts of Brasilia leave two men wounded. A third man arrives from the future in order to investigate the incident and prove that the fault lies in the repressive society.

Coffee-Colored Children is an autobiographical portrayal of Ngozi's, and her brother's, sad welcome to the world where the color of your skin dictates the amount of respect & love you receive.

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

In the winter of 1991 an ABC film crew spent six weeks following Sydney's Redfern police. The inner city patrol of Redfern is predominantly working class with a large aboriginal and migrant population. The police in this film are general duties officers mostly on mobile patrols. At the time of filming 78% of police at Redfern were under the age of 25.

In the spring of 2018, the filmmaker Maria Petschnig befriended Marc who at that time was living in his car in Brooklyn for more than a year, while also holding a day job. Petschnig started to record his life and struggle, his thoughts, routines, etc. over the course of two years.

Nannies combines autobiographical elements with a reflection on the presence of nannies in Brazil. With a subjective narration, the film incorporates photographs, domestic footage and newspaper adds from the 20th century, as well as contemporary images of nannies and children, building a personal narrative about the presence of nannies in the daily lives of many Brazilian families. A situation where the affection is genuine, but does not dissolve violence and racism.

Zeal & Ardor catapults Swiss musician Manuel Gagneux from the underground to the world stage. Religion, racism, segregation and appropriation: Gagneux makes music against taboos. But being a leader against his will scares the introverted artist. Can he remix the game?

For much of the 20th century, successive Australian governments pursued a policy of deporting and barring entry to any race of people they considered undesirable. This was known as the White Australia policy. Admission Impossible is the true story of the behind-the-scenes political forces and the propaganda campaigns that attempted to populate Australia with “pure white” migrants.

Based on writer Maya Angelou's eloquent reminiscences of her days as a gifted youngster growing up in the South during the Depression years where she and her older brother were raised by their grandmother after the divorce of their parents.

A substantial insurance payment could mean either financial salvation or personal ruin for a poor black family.

In July 2005, black teenager Anthony Walker was murdered by two white men in an unprovoked racist attack in a Liverpool park. He was just 18 years old. This film tells the story of how this talented young man's life might have turned out.

An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.