Eccentric, outspoken, and unfiltered TV and low budget film director Josh Becker struggles to emerge from the shadow of his work on "The Evil Dead", "Xena", the careers of his more successful colleagues, depression and alcoholism to fulfill his lifelong ambition of creating high quality, successful films.
This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.
Il n'y aura jamais assez d'images
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.
Documentary explores the life stages of different people.
Les maîtres du café
Caos do Sodré
This is not a documentary about the making of Midnight Cowboy. It is about a humane and groundbreaking masterpiece and the flawed but gifted people who made it. It is about a troubled era of cultural ferment, social and political change, about broken dreams and strivers, then and now. It is about an era that made a movie and a movie that made an era.
The film begins as a documentary about an author known for autofiction. By incorporating multiple making-of layers, it blends the process of making the documentary with the author’s narrative technique.
For decades Italian genre cinema dominated the world and before changing beyond recognition it went to unthinkable places. Giants don't die quietly however and this is the story of an industry's most absurd, extreme, blood-soaked fight for survival. Through dozens of brand new interviews, and never-before-seen archival materials, with the men and women who were there during one of the most unique moments in film history, MASTERS OF MAYHEM tells their stories of scandal, contradictions, drama and outrage.
A playful engagement with memory and moving images, employing experimental visuals, voice journals, and staged dialogs.
Hotel rooms are rarely the destination for pilgrimage. In one hotel room, an iconic picture was taken - the portrait of Theodor Herzl, the most renowned zionist leader. Filmmaker Matan Tal visits the room and explores how the connection between Herzl and the room, echos Herzl’s own ideology. Which raises the question: Can people and places be connected forever?
Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.
French documentary on the Spaghetti Western genre, with numerous interviews.
A married couple working together at a pinball museum explore the state of pinball and what it means to them.
Video diary from behind the scenes of 2002's "Cruise of the Gods."
This film is part of a project that has listened to over 40,000 people on masculinity issues and has resulted in a documentary and a tool book based on this publicly available study through an agreement with the Social Information Consortium (CIS) of the University of São Paulo.
Documentary about the making of the Spierig Brothers' 2014 film PREDESTINATION that is based on Robert A. Heinlein's 1959 science-fiction short story '—All You Zombies—'. Through interviews with cast and crew, film clips and behind-the-scenes footage, this documentary thoroughly explores how the film came to be from casting to pre-production to principal photography to post-production. Interviewees include writers/directors Michael and Peter Spierig, producers Paddy McDonald and Tim McGahan, director of photography Ben Nott, special makeup effects designer Steve Boyle, production designer Matthew Putland, special makeup effects supervisor Samantha Lyttle, costume designer Wendy Cork, film editor Matt Villa, and actors Sarah Snook, Noah Taylor and Ethan Hawke.
The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.
Making-of documentary about Lino Brocka's 1975 film "Manila in the Claws of Light," featuring interviews and behind-the-scenes footage.