Walkatjurra: Our Actions Will Never Stop

It starts with a live radio broadcast from the Bikini Atoll a few days before it is annihilated by a nuclear test. Shows great footage from these times and tells the story of the US Navy Sailors who were exposed to radioactive fallout. One interviewed sailor suffered grotesquely swollen limbs and he is shown being interviewed with enormous left arm and hand.

In the estuaries and lagoons of the Northern Territory, freshwater and saltwater crocodile are hunted for their hides by both Indigenous and non-Indigenous hunters. This film shows Aboriginal people using age-old hunting techniques to land crocs either for food or for skins. The methods employed by the professional hunters, who earn as much as 3000 pounds during the season, are also depicted, followed by a brief look at how the hides are skinned and prepared before being transported to the leather factories of Sydney and Melbourne.

The Ripple Effect is a powerful documentary primarily centred around St Kilda legend and proud Noongar Nicky Winmar's generation-defining stand against racism at Victoria Park in 1993.

From 1957 to 1978, scientists secretly removed bone samples from over 21,000 dead Australians as they searched for evidence of the deadly poison, Strontium 90 - a by-product of nuclear testing. Silent Storm reveals the story behind this astonishing case of officially sanctioned "body-snatching". Set against a backdrop of the Cold War, the saga follows celebrated scientist, Hedley Marston, as he attempts to blow the whistle on radioactive contamination and challenge official claims that British atomic tests posed no threat to the Australian people. Marston's findings are not only disputed, he is targeted as "a scientist of counter-espionage interest". Now, questions are being raised about the health repercussions for generations of Australians.

The story of a Warlpiri woman, Audrey, and her Sicilian partner Santo as they navigate through colonial systems to keep the children they care for together. Audrey Napanangka was born at a time when the world was changing for the people in the Central Australian Desert. Settler colonisation was permeating the desert and forced changes and the fusion of two worlds shifted Audrey’s life forever. Today, Audrey raises young people to walk in many worlds, by centering culture, language, and Law in their lives alongside mainstream education. The intimate footage filmed over 10 years in Mparntwe (Alice Springs), Yuendumu and Audrey’s Warlpiri country Mount Theo, showcases a heartwarming story about the power of kinship and family in what is known as Australia.

Every year, around 3000 Indigenous students receive scholarships to attend some of Australia’s most prestigious boarding schools. It is an immense opportunity, setting many of the youngsters on a path to a bright future, but it also means they must leave their homes and communities. Over the course of a year, Off Country follows several such students, who, despite hailing from distinct nations and having vastly different circumstances, each share a commitment to doing themselves and their families proud – no matter the difficulties.

The story of the 1946 Aboriginal Pastoral Workers' Strike. Eight hundred aboriginal station workers walked off sheep stations in the north west of Western Australia, marking the beginning of a strike which lasted more than three years. The strike was more than a demand for better wages and conditions, it was a struggle for basic human rights.

In 1973 Alister Barry joined the crew of a protest boat (The Fri) to Mururoa Atoll, where the French Government were testing nuclear weapons. Barry records the assembly of the crew, the long journey from Northland, and their reception in the test zone; when The Fri was boarded and impounded by French military he had to hide his camera in a barrel of oranges.

Young Aboriginal people who are traditional custodians in Victoria explore the Treaty process with questions, concerns and their opinions. Sharing their insights into what has been happening and what needs to happen.

The epic David vs Goliath battle for justice waged by the families of three Aboriginal children murdered in a small rural town 30 years ago, the system that failed them, and what it reveals about racism in Australia today.

This film takes us on an emotional journey from sacred ground above Byron Bay to Antarctica, Indonesia to Pakistan, and is sure to light a fire under the strongest climate change denier. THE POWER OF ACTIVISM focuses on six highly spirited female activists as they are put under the microscope to ascertain the financial impact of their environmental solutions… and the results are astonishing. From shark conservation to indigenous practices, intensive farming to plastic pollution; all their ‘causes' fall under the umbrella of "climate change", but they should also fall under the umbrella of "saving tax payers hundreds of millions of dollars!”

Long thought to be the first film ever made by an Indigenous filmmaker, Black Fire examines the situation of First Nations people in the early 1970s through politically charged discussions, comical vox pops, and interviews with luminaries of the time such as Pastor Doug Nicholls and Aboriginal Tent Embassy co-founder Bertie Williams.

Are eligible Indigenous bachelors an endangered demographic in the 21st century? That’s the question cheekily posed by Tracey Rigney’s debut documentary short, which invites First Nations individuals to confide what they desire, what holds them back, and their hopes and worries about whether they’ll ever find The One. Endangered first screened at the Melbourne International Film Festival in 2005.

A feature documentary about opera singer Tiriki Onus who finds a 70-year-old silent film believed to be made by his grandfather, Aboriginal leader and filmmaker Bill Onus. As Tiriki travels across the continent and pieces together clues to the film’s origins, he discovers more about Bill, his fight for Aboriginal rights and the price he paid for speaking out.

Anindilyakwa man, Steve 'Bakala' Wurramara is afflicted with a profound hereditary neurodegenerative disorder. While modern medicine looks for answers, the stories of an ancient curse and black magic still permeate this remote Aboriginal community in far northern Australia. Bakala enlists the help of his daughter to search for a cure from the traditional bush medicines in the land, desperate to find an answer before she too is diagnosed. As his desperation grows and his disorder takes an ever greater hold, Bakala realises he must fight this ancient curse to unlock the secrets of his Ancestors.

A compelling portrait of an extraordinary figure, Aboriginal WWI soldier Douglas Grant, featuring acclaimed Indigenous actor Balang Tom E. Lewis (in his final performance). Grant (c.1885-1951) was extraordinarily famous in his day, an intellectual, a journalist, a soldier, a reader of Shakespeare and a bagpipe player who could put on a fine Scottish accent. His life story connects Archduke Franz Ferdinand, Adolf Hitler, and Henry Lawson among other famous figures as he moved from Australia to Europe, UK and back. Lewis’s thoughtful and often playful reflections on Grant’s life, along with guest appearances from Max Cullen and Archie Roach, connect to the larger story of Australia’s tragic colonial history and its troubled relationship with First Australians.  

Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra Dance Theatre before accepting the invitation of The Australian Ballet's artistic director David McAllister to join one of the world's foremost ballet companies.

At Western Australia’s first Indigenous-run police station, two officers learn language and culture to help them police one of the most remote beats in the world.

During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.

An examination of the connection between relentless government intervention since colonisation to the trauma and disadvantage experiences by Indigenous Australians - the two key drivers of incarceration.