Chantal Akerman: Her First Look Behind the Camera

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

Ayush suffers from sleep paralysis and dark hallucinations, haunted by shadowy figures that represent his repressed fears. Trapped between dream and reality, he confronts these manifestations of his inner turmoil.

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

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Synopsis: Agent Jayne: A Woman with a Mission” introduces audiences to the unfortunate reality of the youth drug trade, exposing the harrowing consequences of addiction and exploitation. As the story unfolds, viewers are plunged into a world of greed, danger, and moral ambiguity.   Written and directed by Waqar Peter Gill, the concept of Agent Jayne is based on real events and personal visual experiences. The film aims to emphasize a prudent issue of substance abuse amongst teens, which portrays the use of candy-like opioids. The film is a blend of social awareness amongst the youth and woman empowerment. Director’s Quote: Agent Jayne is a film designed to raise the profile of local upcoming talent, as wella s create an awareness of drug abuse amongst the youth.  As a result of the release of Agent Jayne, we can recognize the contributions of all individuals involved in this project.

A chronicle of the lives of a couple and the gradual dissolution of their relationship.

Thevan, a folk singer of the Paanan caste, has a fateful encounter when escaping slavery, leading to discover an ancient tradition altering his destiny.

An adaptation of a children's poem called Chanson des escargots qui vont à l'enterrement by Jacques Prévert, starring Joseph Gordon-Levitt. Filmed in Paris, France and Los Angeles, California.

This experimental short documents the clash, sometimes obsessive, sometimes glorifying, between humans and their mechanized environment. Using photographs, the animator creates varying perspectives through optical manipulation and changing colour, achieving bold and provocative effects.

When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.

Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.

At night, a woman at different ages loves, suffers and frees herself. She’s called Ophelia.

Spoiled seven-year-old Vanka lives a carefree childhood. Going with his father to the Maslenitsa holiday, Vanka meets a runaway deserter in the forest, about whom he tells the adults. This act instantly deprives Vanka of his childhood, and the father of his child. The event opens his eyes to the adult world in which the child will have to live on.

Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.

A queer poet navigates heartbreak through writing, techno, and self-destruction.

A short film by Bryce Hodgson.