Belle

A person receives old entries from their diary, unsure of who is sending them. They eventually arrive at a moment of transcendence.

The light's in a student's room begin to shut off around him. He must escape the room before he is swallowed by darkness.

lente / ruido

CuerpoCoraza

ANA C. uses videoart and videoperformance to express the relationship between the marginalized poet Ana Cristina Cesar with art itself.

A short experimental dance film about the use of the body as an instrument of temporal expression, focusing on how our memories are held and revealed in our movement.

Estranged lovers reconnect through the power of the Magic Conch Shell.

Prelúdio

Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows the tumultuous romance between its creators, Billy Pedlow and Maurane. In their feature debut, they have created a new genre using a blend of podcast-style audio recordings and visual fragments. "Me and My Victim" is like turning over a rock and witnessing a full ecosystem of bugs scattering in the light. It'll make you cringe, but it'll be hard to look away.

Cameron and Sylvia, a young couple in their early 20s, share a touching last evening together before he departs for Paris, where he plans to pursue his dream of becoming a chef. Fast forward four years later, where present-day screens reveal Sylvia and Cameron, still moved by the memory of that unforgettable night. Despite the passage of time and their divergent paths, their connection endures, delving into themes of love, separation, and the everlasting impact of shared experiences.

In this video work Bruce Nauman explores violence, gender and behaviour. Set around a simple middle class dining table, the scene quickly escalates into a slapstick fight between a man and a woman. Their actions become increasingly more erratic and aggressive yet also ridiculous and cartoon-like as the video progresses. Nauman explores the ways in which anger can be provoked by others and questions the way we can react to them. Much like many of his other artworks, he employs the use of humour and exaggeration to explore serious and even dangerous topics - he produced this work as a result of his frustration with futile acts of violence in ordinary life. He explains, “The viewer is presented with a hypnotic repetition of pointlessly cruel and destructive violence which is both seductive and alienating.”

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

A collection of images, existing films, and personal footage. All of these melted together to show the destruction of time, and the decay of beliefs. Ranging from religious fundamentalism, sexual identity, the collapse of Western Society, and humanity’s contribution to art, literature, and mixed-media.

This is a poetic short film I made with Chloe Hall for a 12 week final major project where we adapted the poem my Forough Farrokhzad. This short film is about the confinement of women in Iran and the yearning for liberation in a patriarchal society. A tapestry of visual metaphors and poetic narration intertwine, illustrating the silent yet fervent struggle or Iranian women.

Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.

Seeking power, a witch invades and manipulates realities by controlling other versions of herself.

Trapped between the frames of time.

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

Yukari Nishihara, 25, earns her living as an art model and aspires to become an actress. One day, while she was out, she saw “a man's face about to jump off the roof of a building”, and since then she has been suffering from a peculiar constitution: she sees a suicide while on her period, faints, and develops a fever. The goddess of love does not smile on Yukari, who is unable to become a sweet girl with a nice boyfriend. The only things that can save Yukari now are her best friend Hana, who has a keen intuition, and a suppository that can break a fever in one shot. On the day of an important audition, Yukari has decided that this is her last chance. However, Yukari realizes that she has forgotten her antipyretic suppositories, and her eyes meet those of another soon-to-be suicide victim. She is in a desperate situation. What does Yukari do?