Enoshima Clown

Shell-shocked Barbara must face up to the loss of a dear companion after a tragic accident. Her best friend Klara and husband Torsten devise a plan to thaw Barbara's heart, after she reminisces about the incident, the funeral, and happier times. Will she agree to the suggestions of her nearest and dearest? Can grief turn into hope?

Evan, an orphaned 22-year-old who grew up in the foster care system, buys a vintage 8mm camera in a yard sale from an elderly man, ends up with reels of the man's old home movies, and begins to live vicariously through these home movies.

Known for his striking visuals and outlandish subject matter, maverick director Sogo Ishii is considered to be the master of Japanese punk cinema. In ‘Attack!’, biker gangs meet the Japanese punk scene. Continuation of the filming of "High School Panic" after a stoppage by the production company. Awarded at the 1978 Pia FIlm Festival.

Directorial debut by Klaus Hofmann and Bernd Siebert, shot on 8mm.

Heartbroken, Madeline goes out on the town ruminating on the cyclical nature of love. She passes from one thrill to another looking for answers. Relationships come and go but memories are forever.

A young man helps his girlfriend to see without sight.

Ito, Yoshida, Kanbara, and Harumi are high school classmates. Ito secretly has feelings for his best friend, Yoshida. Yoshida doesn't seem confused by Ito's feelings, but simply accepts them naturally. However, one night.

Director Noboru Iguchi's first 8mm film, which he shot as a high school student.

Javier discovers an old camera in his home's garage along with some undeveloped 8mm film reels that hide a hidden past his mother does not want to remember.

What binds us to the images we create? If the act of capturing them belongs to us, to whom does the image belong: to what allows itself to be seen, to the one who records it, or to the one who first imagined it? Between thought and the world, perhaps the image belongs to no one or passes through everyone.

In the summer of 1998, the filmmaker went home to Takasaki to film the birth of his brother and sister-in-law's child. Days go by and the child is still to be born. With time on his hands and no one to talk to, the filmmaker finds the phone number for a telephone date club, and calls up with an earnest de- sire: I'd like to talk to a girl. While following the conventions of film-diary form, at some point the filmmaker falls into a times pace tunnel of false memory.

Since his father's death, Bruno divides his time between his duties as a student and his love of cinema. When he finds an old super8 camera belonging to his father, he changes his perception of the world in which he lives.

Collective experimental film by Team 8mm TENGOKU.

8mm, independent film produced by Zeze at the age of 22.

A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has found new life through art. Curated by director Serdar Kökçeoğlu and producer Dilek Aydın, the project brings together visual artists and musicians to reimagine these long-lost images. Over thirty artists transformed the footage into fifteen distinct audiovisual pieces, blending experimental soundscapes with contemporary video art. The project concludes with a special highlight: the first-ever screening of Mimaroğlu’s silent short film about a street jazz festival, accompanied by Erdem Helvacıoğlu’s dark jazz score.

A pair of scavengers discover something strange after wandering onto the property of a mysterious technician.

A girl's crumbling friendship sends her into a murderous spiral.

Set in a one-night-special-event for a couple, a storm is gathering to their little country, and as the couple get ready for their celebration, some things come near they to make the night little more scarier.

Convinced that a museum art sculpture is misaligned, a determined tourist challenges the gallery’s security protocols in an attempt to adjust the positioning of the central piece.

A study of brief motion through cuts, lights, family conversations and grief in a quiet home at Félines, Ardèche. Filmed in a Keystone Americana camera from two 8mm B/W reels