September 15

Political engagement spawned the wildest of wonderlands for Hong Kong’s creativity – but as a new law annihilates freedom of expression overnight, underground artists and creatives find themselves targets, and their works disappeared. Together we race to preserve the creative uprising amid China’s crackdown.

STATIC! VIBRATION! ENERGY! HYPNOSIS! DEMONS! A UNIVERSE BORN OF GODS BATTLING IN THE DARK WITH FLICKERING LIGHTS OF COLORED FLAME! BEASTS SHAPING HORIZONS BY THEIR MARCHING STEPS! THE SPINNING GOD HEAD! THE SHIFTING TOTEM ANIMALS! STATIC! VIBRATION! ENERGY!

This is an intimate and fragmented portrait of what it means to fall in love in the 21st century. Where desire, breadcrumbing, and vulnerability intertwine in a process of falling, self-creation, and pure frenzy.

Between documentary images of a craftsman in his workshop and spaces threaded with loose strands, Acabado, Permanente Inacabado constructs a living journey that questions the illusion of a finished work, insisting on the possibility of returning, unraveling and allowing the act of creation to bloom.

The nine virtual sculptures underlying vitreous resulted from experimental setups by Robert Seidel for generating three-dimensional clusters of fibrous refractions, as well as the gravitational lensing of different volumetric and chromatic densities. Singular elements gravitate towards each other, accumulating in a gigantic sculptural system, where each entity exists with its own visual axis and vanishing point. The impalpable luminous formations create prismatic interactions between the ridges and plateaux of the main colours floating in front of the infinite violet background.

Hunter, a bride-to-be, feels overworked and unappreciated. Her artistic spirit is squelched by the shallow corporate world she’s in and she has had enough. Unfortunately, she feels as if she can’t turn to Ian, her commercial executive fiancé, for solace. As her wedding day approaches, Hunter and her three bridesmaids embark on a road trip to Las Vegas for one last hoorah together. As the girls venture from the city, they decompress and let their personal barriers fall. An impromptu sightseeing excursion into the desert leads to a clash of anxieties and attitudes between Hunter, the bridesmaids, and her fiancé as Hunter searches for the road that’s right for her.

Dos Galhos Prateados

An experimental reinterpretation of 1950s science fiction B movies.

It is night. The moon is shining. A static camera captures a huge flock of starlings searching the sky in circular movements… At first the starlings are hard to identify. Having deliberately edited frames coming from different generations of the original print in a certain metrical order, without changing the actual chronology of their movement, Kels has the constantly changing shapes of the birds dissolve in the rough grain of the celluloid. Once again a technical weakness of the celluloid forms the starting point of his visual enterprise. Shot on one reel without any interruption, the birds’ flight gradually forms configurations of astonishing beauty. —Millennium Film Journal, No. 30-31.

A man blows balloons until they burst and thus expresses his accumulated aggression.

A "glitch" is a malfunction in a system. Glitch art takes these errors and uses them as moments of aesthetic revelation. Interruptus is a glitch film, comprised completely of strategically halted downloads of digital videos. These broken files are then transformed into a stunning fugue of abstract texture. (Selected Exhibitions: In Media Res, Glitch Media Theme Week, Dramatic Chromatic, International Video Exchange (US Delegation, Trømso, Norway), GLI.TC/H at The Nightengale (Chicago, IL), GLI.TC/H at STEIM (Amsterdam))

Viva Las Vergas! The synthesis of simulacrum and solar max. (Selected Screenings and Awards: Ann Arbor Film Festival, Dallas Video Festival, Athens International Film and Video Festival, New York Underground Film Festival)

L'Idea Centrale

A look into the stars, and what might happen if they were to be inhabited. Made using entirely public domain footage.

Three 20 year olds celebrate, while war planes fly overhead.

Designing artificial relationships between found or stolen elements is a technique that seeks to discuss found footage. Credere a tutto tells about houses and living beings and has developed by intertwining ancient photos, a text, a film sequence and original video footage. Materials that take on time, space and new meanings within the expanded vision of the so-called “spectators”. A techno music session while séances and panoramic views of derelict houses question us about what we see and what we cannot see.

Two sisters, Red and White, divided by death’s thin veil. Through bonds unyielding in life or death, a journey of grief and life after loss.

A man and a woman have a conversation on a bench. The wind blows with a calming serenity. The leaves fall with a graceful respect for the grass. Surgery always seemed like a better option. But, as you may already know, surgery can only do so much.

A tradwife whose preparations for dinner become unsettling as the boundaries between reality and the uncanny begin to blur.

Something is in your room, and it won't leave you alone.