Orun: O Mundo dos Orixás
Some people seem to have come into the world to confuse, annoy, swim against the current, like the guys from Gangrena Gasosa, the first and only Sarava Metal band of the universe. "Desagradável" covers all the 23 years of the band. A special reunion of people that stirred the underground scene of 90's until today. All the legends detailed in a film that will show the most shameful chapters in history of Brazilian Rock. Jello Biafra, Jão and João Gordo, BNegão, Marcelo D2, Anjo Caldas, Dado Villa-Lobos, Rafael Ramos, Fabio from Garage, Marcos Bragatto, Tom Leão, Pedro Só, Adilson Pereira, Larry Antha and the former members (more than 15!) recalls the regrettable moments that Sarava Metal happened in their lives. Archive images, photos and videos to prove, once for all, that "Home Saint makes miracles too".
Documentary about the preparation of a popular celebration of "Dia do Preto Velho", one of the most important rituals from the Umbanda in Brazil.
Inspired by the life of the french-born photographer and ethnographer, Pierre Verger, the movie follows his journey between Bahia, Brazil and Benin, Oriental Africa, showing places and people he met and his life study project: the Candomblé culture.
This short film follows the journey of Rosane Pires and Iara Viana, during the preparations for their wedding, as well as the civil and religious ceremonies.
Fora da Caridade Não Há Salvação
Documentary about terreiro women in Fortaleza who occupy the highest positions in the hierarchy, subverting the patriarchal tradition of religious communities.
Por Trás do Congá
Teachings of an Issei. Advice, spirituality and challenges.
Do Que Aprendi Com Minhas Mais Velhas
The documentary adresses the meaning of music and the musical diversity present in Umbanda (a Brazilian religion with afroindigenous roots). With interviews with four umbandistas from Fortaleza - Ceará, Crossroads of the Sound pays reverence to the enchanted dimension where the sounds cross each other to make the spirits dance.
SAMBANCESTRAL
The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words with Gods follows the theme of religion - specifically as it relates to an individual's relationship with his/her god or gods...or the lack thereof. In Words with Gods, each director recounts a narrative centered around human fragility, as well as environmental and cultural crises involving specific religions with which each has a personal relationship; including early Aboriginal Spirituality, Umbanda, Buddhism, the Abrahamic faiths, Hinduism, and Atheism. An animated sequence by Mexican animator Maribel Martinez is woven through each of the film segments, with each segment narratively connected as a feature-length film.
The process of formation of the person and its identity from an African conception of the world. The orixás (gods), linked to the forces of nature, are equal to people, and are not transcendent. of the person with their orixá, within the family and the culture. Filmed in a Candomblé terreiro of Bantu origin.
Oxum goes to the river every day to fill his jug with water. One day, a woman in red clothes crosses his path and changes her life forever.
Casulo
The documentary recounts the six-decade career of jazz singer Carol Sloane, lauded by critics and peers as one of the greatest jazz singers in history but still relatively unknown to the public at large, and follows her preparations for her final live recording at Birdland in New York City at the age of 82.
In the ever-present desire to capture, record, and understand Beirut, and by extension himself, Zakaria has been trying to give a coherent story to his city. It is through the intersectionality between the general and the personal, the public and private, the old and young, that we are able to answer: why are we anxious in Beirut?
Hundreds of frozen and starved people floating on boats in the middle of the Mediterranean Sea fleeing from the war... Familiar scenes that we are used to seeing in recent times. But the year is 1944, and the refugees are travelling from Europe to Africa. After Italian capitulation,and before the arrival of German army, 28 000 Dalmatian Croats left their home villages and towns to live for two years under the tents in the middle of Egyptian desert, in a kind of a communist model village that was formed to show the Allies how the new Yugoslavia will look like when the war ends. This is a story about them.
Mirabile Visione: Inferno