Cerro Muriano

Madrid, Spain, 1936. The young Miguel Gila lives happily with his grandparents in a humble attic; but the outbreak of the Civil War forces him to go to fight.

During the Spanish Civil War a platoon of mismatched Republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the local holiday of the nearby village. In addition to ruining the Nationalist faction's celebration they want the animal in order to butcher it and feed their famished troops. They get caught in the process and have to go through a series of funny and pathetic incidents before they can get back to their side.

A famous American secret service agent tries to rescue a German 17-year-old prodigy scientist who has been captured by the Russians.

The life story of Colin McKenzie, a forgotten pioneer of international cinema who was born in rural New Zealand in 1888.

Once the Spanish Civil War has ended, the heir of an aristocratic family is missing believed dead. The butler has the idea of presenting his own daughter as the son's fiancee.

A soldier protects a mule during the Spanish Civil War.

A lieutenant and four others are having a little party before entering combat. Ensign has his girlfriend in a village occupied by the enemy, so it is essential a rescue mission

In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.

¿Por qué morir en Madrid?

Toma de Belchite y Teruel

Documentary that narrates a key moment in our history: the Franco coup d'état, the cruel repression that was carried out and the attempts at resistance in the Charra province. Many people are convinced that Salamanca surrendered with open arms to the coup plotters; However, nothing could be further from the truth. In Salamanca there was repression and there were attempts at resistance; There were arrests and there were tortures, there were shootings and there were disappearances. In Salamanca there was also harsh repression that manifested itself in all its forms.

At the start of 1939 an exodus of nearly 500,000 Spanish Republicans, soldiers and civilians together, fleeing Franco's troops crossed the border to France. Louis Llech, a Perpignan based shopkeeper and enlightened amateur cineaste, owned a 16mm camera. Together with his friend Isambert, he filmed this extraordinary migration. Fascinated by the military aspect of this Retirada, he favoured shots of parades, of crowds, like those showing military equipment. He nonetheless also showed civilian distress, without insisting on its picturesque aspects, focussing more on images of the uninterrupted flow of refugees.

In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.

Manuela is left behind when her husband Justo fights for his ideals against Franco's Nationalists during the Spanish Civil War. He is deported to a concentration camp, and upon his release, continues the fight against nationalism in the French resistance. Years pass without a word from him, but his wife never gives up hope of seeing him again.

After the discovery of a suitcase hidden in the family home of Francisco Martínez Gascón, known as Kautela, a photojournalist who lived through the Spanish Civil War from the perspective of the rebel side, his granddaughter decides to carry out an investigation into his life and work.

During the Spanish Civil War (1936-1939) and the Second World War (1939-1945), around three thousand people managed to elude their pursuers, and probably also avoided being killed, thanks to the heroic and very efficient efforts of the Ponzán Team, a brave group of people — mountain guides, forgers, safe house keepers and many others —, led by Francisco Ponzán Vidal, who managed to save their lives, both on one side and the other of the border between Spain and France.

Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.

Prisoners await execution by firing squad when they are captured during the Spanish Civil War in this drama taken from the novella by Jean-Paul Sarte. Pablo is a loyalist jailed after he searches for his brother. An Irish mercenary and a Belgian physician are his cellmates. Flashbacks recall their lives before the war as they spend their last moments on Earth waiting for their date with death.

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.

Madrid, Spain. A mutilated man, a war veteran, walks, leaning on a crutch, through the stadium of the Ciudad Universitaria, a place that still preserves in walls and buildings the terrifying traces of one of the bloodiest battles of the Spanish Civil War.