A Look Through His Lens

ADM:DOP (Anthony Dod Mantle - Director of Photography) is an impressionistic look into the creative life and vision of cinematographer Anthony Dod Mantle, the genius eye behind Harmony Korine's Julien Donkey-Boy, Lars von Trier's Dogville, Danny Boyle's 28 Days Later and Thomas Vinterberg's first two features, Festen and It's All About Love.

Eric Leiser displays his boundless creativity in this short collection; A stunning compilation of works presented with a mixture of live action, stop motion animation, puppetry and pixilation techniques, produced between 2001 and 2006.

Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.

Otar Iosseliani, le merle siffleur

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

A personal look at the life, work and untimely death of celebrated indie cinematographer Halyna Hutchins, who was shot and killed in a tragic accident on the set of the film Rust in 2021.

Documentary following the history of America's first cinematographers.

Frank Connor, stills photographer on The Elephant Man, discusses his work on the film as well as the evolution of his career, with some very interesting comments about the 'old days' and David Lynch's working methods.

Filmed from 1995 to 1997 in Havana, New York, Los Angeles, Morelia and Mexico City, it tells the story of Yuliet, a Cuban teenager, and Fabiola Quiroz, a Mexican model, who, with humor and frankness, surrounded by quirky supporting characters, show us that the absence of their parents, deprivation and adversity made them stronger.

Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

A documentary about the Russian filmmaker Andrei Tarkovsky. The film was an episode of the French documentary film series Filmmakers of our time. The title of the film is a play on the title of Solzhenitsyn's novella One Day in the Life of Ivan Denisovich.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

A very special encounter between legendary American cinematographer Vilmos Zsigmond and young French director Pierre Filmon. A personal journey with the brightest shadowmaker and his friends.

Don McAlpine, legendary cinematographer. World renowned Australian. A documentary of his life journey from teaching physical education in Temora, NSW, Australia to Hollywood, making the visual imagery of an outstanding movies.

Arturo Ripstein habla de Luis Buñuel

The sort film “Baker Street Live” is being produced for December 2016 exhibition “The Masterpieces of Russian Cinematography”. The film is aiming to intrigue the viewer by the strength of British culture taking place within Russian cinematography influencing and shaping the soviet and modern Russian society. The story of two puppets – Sherlock Holmes and Dr Watson - undertaking an investigation and finding the lost pages scattered around London by which they are mostly intrigued. As the puppets keep finding page by page, they unveil their own story as if one discovers himself from within. And as ever, the successful investigation by Serlock results in the re-union of the lost pages with their lawful owner.

In the spring and summer of 1977, the musical television film "Miracle Story" was filmed on Toomemäe in Tartu. Despite the fact that all the shots in the film are documentary, you may not see a documentary in "Dream". It is not a reportage about making a film, but rather a vision, an echo that has disappeared but has been.

After a high-profile firing, everything is at stake for 40-year-old Jenna: her career, her ticking biological clock, and her bank account. Her fashion career comeback hits a snag when she falls for a charming, much younger coworker — who happens to be her boss’s son. As sparks fly, Jenna must decide if she’ll risk it all on a secret romance with the one person who could destroy her comeback.