Patarag. Armenian Lithurgy

When an Iranian-Canadian filmmaker hears the story of Master Ghadamyar- a Kurdish 120-year-old Tanbur player, he takes off on a mission to discover more about this spiritual master's musical and enchanting life. The film follows his journey to Western Iran, where he unearths the ancient traditions and teachings of Ghadamyar's faith known as Yarsanism, and its relationship to the mysterious Tanbur as a meditative instrument. The film takes audiences on a musical and visual quest among rugged landscapes of Western Iran to experience undiscovered voices and spiritual awakening. We witness the collective prayer of Yarsani Tanburists, as a practice to maintain their spiritual identity and search for inner beauty.

Shot over six weeks in December 1971, and January 1972, the film consisted of interviews with Protestants, Catholics, politicians, and some soldiers, combined with TV news clips of bombings and violence. The deaths of four individuals formed the central focus of the film, which Ophüls described as ‘an old, middle-aged, humanistic, social-democratic attempt to give people an idea that life after all is not that cheap’. The BBC refused to transmit the completed film on the grounds that it was ‘too pro-Irish’ (Sunday Times, 5 Nov. 1972). (via http://cain.ulst.ac.uk/othelem/media/docs/freespeech.htm)

The Pharmacratic Inquisition is a provocative film from Gnostic Media that makes the argument that virtually all of the mythology, symbolism, and story of Jesus and related Christian traditions relate to two basic subjects: astrology and shamanism. For those unfamiliar with the evidence in support of this claim, this film can be truly eye opening and revolutionary. This is a DVD companion for the book, Astrotheology & Shamanism. This DVD companion contains about 25% of the information presented in book, though it contains about double the images. The DVD is not meant to have detailed sources. If you are interested in the sources used for this video, please see the book Astrotheology & Shamanism.

São João na Roça

A portrait of various gay Orthodox Jews who struggle to reconcile their faith and their sexual orientation.

Exploring the life and impact of the greatest spiritual and legal philosopher in Islamic history, this film examines Ghazali's existential crisis of faith that arose from his rejection of religious dogmatism, and reveals profound parallels with our own times. Ghazali became known as the Proof of Islam and his path of love and spiritual excellence overcame the pitfalls of the organised religion of his day. His path was largely abandoned by early 20th century Muslim reformers for the more strident and less tolerant school of Ibn Taymiyya. Combining drama with documentary, this film argues that Ghazali's Islam is the antidote for today's terror.

When two friends collect money for the so-called "suffering in America" in the streets of Accra, is it for fun, political provocation, or a prophecy? Two Swiss filmmakers will answer these questions with the help of seven musicians from Ghana-M3NSA, Wanlov The Kubolor, Adomaa, Worlasi, Akan, Mutombo Da Poet, and Poetra Asantewa-who have written new songs and produced video clips especially for the documentary film Contradict.

Historian Tom Holland looks at the origins of Islam and questions its history and authenticity.

The film begins by showing images of the Holocaust, and stating that Hitler sanctioned the killing of 11 million people. This is followed by Comfort interviewing people about Adolf Hitler; their responses indicate a lack of historical knowledge, although he also finds a neo-Nazi who claims to love Hitler. Comfort proposes a hypothetical situation to his interviewees, asking if they would kill Hitler if they had the opportunity at that time in history. He asks more hypotheticals dealing with what his interviewees might do in other circumstances related to the Holocaust. He then switches his topic to make similar comparisons to abortion within the United States and the right to life, personalizing his arguments to make comparisons between the Holocaust and abortion in order to place the interviewees on the spot. The documentary concludes with Comfort stating that over 50 million abortions have occurred to date; he calls this the "American Holocaust".

La Corne d'or is mostly concerned with religious ritual, examining the mosque (and former cathedral) discussed in Byzance. As a contrast against Istanbul's status as a center of historical religious conflict, Pialat — drawing here on texts by the French poet Gérard de Nerval — also describes the city as a place of strange ethnic and religious harmony, with representatives of various cultures and religions living in close contact. He emphasizes the city's hybrid culture, its blend of Southern European and Arab influences, reflected in both its people and its very construction.

A young drag queen from Andalusia exposes the difficulties of adding aspects of her homeland culture to her artistic expression.

Les couturiers de l'Église

The film follows Yudale, a religious youth from the settlements, as he experiences a crisis of faith. As he receives a camera from Michal, a Tel Aviv director who teaches him how to film, Yehuda documents his life on the line between the settlement Tko’a and Tel Aviv: his final conversations with his dying father—Rabbi Menachem Fruman– their joint study, and saying goodbye to him. When his father dies, Yehuda chooses to take off his kippah. During the year of mourning, he continues to document his life outside the religious world: exploring Tel Aviv, talking to Michal, and his new perspective on his family and their way of life. Elisheva, a newly observant Jew orphaned from her mother, comes into his life as a soul mate exactly at the moment when he loses hope of finding his way.

Explores the attempts of the minister of the Augustana Lutheran Church in Omaha, Nebraska, to persuade his all-white congregation to reach out to "negro" Lutherans in the city's north side.

MOST "end times" discussions focus on the coming Antichrist—but he is only half the story. MANY are surprised to discover that in Revelation 17, there is another mysterious character at the heart of prophecy; a woman who rides the beast. TRADITION says this "mystery" woman is connected with the church of Rome. But isn't such a view outdated? After all, today's Vatican is eager to join hands with evangelicals and all religions worldwide. BIBLICAL truth and global events present a well-defined portrait of the woman and her powerful place in the Antichrist's future empire. MORE THAN TEN remarkable clues in Revelation 17 and 18 prove the woman's identity beyond any reasonable doubt. Watch and be amazed!

A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”

With God On Our Side takes a look at the theology of Christian Zionism, which teaches that because the Jews are God's chosen people, they have a divine right to the land of Israel. Aspects of this belief system lead some Christians in the West to give uncritical support to Israeli government policies, even those that privilege Jews at the expense of Palestinians, leading to great suffering among Muslim and Christian Palestinians alike and threatening Israel's security as a whole. This film demonstrates that there is a biblical alternative for Christians who want to love and support the people of Israel, a theology that doesn't favor one people group over another but instead promotes peace and reconciliation for both Jews and Palestinians.

Scientists Richard Dawkins and Lawrence Krauss travel the globe promoting a scientific worldview and the rational questioning of religious belief.

The history of nuns mirrors the history of all women -- in what we are taught about the past, women are almost invisible. Although today's one million nuns outnumber priests two to one, they must struggle to be heard by the all-male Roman Catholic hierarchy from which they are excluded. Behind the Veil: Nuns is the first film ever to record from a global perspective the turbulent history and remarkable achievements of women in religion, from pre-Christian Celtic communities to the radical sisters of the 1980s. Contemporary nuns of strength, dignity and commitment speak of their lives and of their predecessors.

On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.