Urute vv

Jonas Mekas adjusts to a life in exile in New York in his autobiographical film, shot between 1949 and 1963.

The ecstasy of nature through the beauty of simplicity, solitude, and silence as birds soar and suns beam all throughout.

This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.

A showcase of bullfighting in Portugal, explaining how the country's version of the sport differs from those in Spain and Latin America and helps define the national character. After showing the training techniques for the bulls and horses, a bullfight is presented.

Run the gauntlet is a website featuring a challenge made up of 20 levels, each containing a video in a specific sequence. The videos start off with mild gore and shock content, but progressively become more intense and disturbing. Once you start the challenge you cannot pause or skip any of the videos, if you want to stop you have to finish the entire sequence.

Forming part of a film constellation that stretches from Chile across the Pacific, in which Malena Szlam trains her camera on far-flung volcanic landscapes — by turns barren and verdant — the dazzling in-camera multiple exposures of Archipelago of Earthen Bones — To Bunya evoke the layered histories of the titular Bunya Mountains in eastern Australia’s Beerwah region, further deepened by sonified atmospheres from artist Lawrence English.

An experimentation with perceived movement and composition, drawn from six years of photographic fragments—an imprint of shifting visions, where seeing becomes both a subject and a mirror. Gorg O Mish is a Persian expression for twilight—literally translated as “wolf and ewe.”

Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.

What if you rediscovered the script you wrote when you were 12? And what if you performed it with real actors, without changing a word? In this unique comedy, actors faithfully bring their director's hilariously bad childhood script to life, while their "Teacher" Michael Smallwood uproariously reacts to the chaos.

A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.

Picture a land of boulder-strewn shorelines, isolated mountaintops, and golden prairies. Here, packs of wolves stalk herds of ancient mustangs and tree-climbing carnivores keep entire forests on edge. Meanwhile, high above the crashing surf, a pair of storks attempts to raise a family on a narrow ledge atop a towering cliff. EUROPE'S WILD WEST is a place where survival is reserved for those with the keenest senses... and the quickest draw.

Documentary with fragments and records about the boundaries between art and counterculture, based on a debate held at the Museum of Modern Art, Rio de Janeiro, in October 1968.

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.

An ambient short film of seaside cinematography accompanied by Stars of the Lid's 'Broken Harbors pt.2' and 'Broken Harbors pt.3' It is shot in black and white, but switches to color near the end.

A disorienting realm where reality itself flickers and fragments. Through a visceral exploration of digital distortion and failing verification processes, this challenges your perception and dares you to question what lies beneath the surface. Are we truly awake to the genocides and wars raging beyond our privileged bubbles, or are we content to remain ensnared by manipulated realities? This is a personal call to shatter the illusions, to seek deeper truths, and to recognize the profound fortune of our existence amidst global turmoil.

Angolan director and screenwriter Pocas Pascoal reminds us that it’s time for a change, proposing through this film a look at colonialism, capitalism, and their impact on global biodiversity. We observe that the destruction of the ecosystem goes back a long way and is already underway through land exploitation, big game hunting, and the exploitation of man by man.

A young woman is fed up with the usual consumer's television and begins to make her own television, or more correctly, closevision. She is now a reporter who wanders around Berlin with her camera and 'telecasting apparatus' on her back. Her livingroom has been transformed into a studio and here the different programs are assembled and aired: statements, interviews, realistic and phantastic programs.

Art is a freedom for those who make it and for those who look at it. A freedom that ends when the violence starts. In Mexico, every day eleven women are murdered and in more than ninety percent of the cases impunity prevails. Through the testimony of seven women, this documentary essay reflects on femicide and the destruction that this leaves a country and its culture. Because in times of horror, art cannot be the same, every time a woman is murdered, a museum or a library collapses in the world.

An experimental documentary that illuminates Black non-binary folks in the American Souf & their connection to the nearly erased history of gender expansiveness within the African diaspora.

Somewhere, a man tinkers, cooks, and smokes in silence, caught between the tranquility of an afternoon nap and the strangeness of time stretching out.