De Passos em Passos por São Paulo

Megalopolis facing sea level rise

An documentary exploring what the city of Liverpool means to the people who call it home.

Trespassing or Close Encounters of the 3rd World

In the heart of the city of Buenos Aires, amongst the grey of the cement and the noisiness of the cars and buses, everyone seems to look down. Even the cameras put there to watch the people’s every move. But, what happens if we finally decide to look up? What’s coming after the clouds?

Fulano de Tal

Hatay

Sound progression of two opposite landscapes.

La Meilleure Façon de tracer

The series tells the story of the São Paulo International Film Festival, one of the most traditional cultural events in Latin America. For 48 years, the festival has showcased hundreds of films from all over the world, bringing vibrancy to the city. Filmmaker Marina Person provides an irreverent perspective, highlighting the exciting and unusual stories that have marked the festival’s journey of resistance. The series reveals the individuals who have embraced the challenge of organizing this significant cultural event in Brazil every year, despite often challenging conditions. We also delves into how the Mostra has grown to become one of the main festivals globally, shedding light on the changes in cinema, Brazil, and the world over the years.

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

What happens when a world that relies on traffic and the logistics that allow it comes to a standstill? What happens when sickness and even death are taken from us?

Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.

The relationship between the city and a car, through a dialogue where a common reality and "making a city" are disputed and revealed.

A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.

An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.

Taken in 1896 on the Boulevard (upper Broadway) on the occasion of a bicycle parade in the heyday of the wheeling craze. Old-fashioned horse cars lend interest to the scene.

A history of the bridges of Paris, through modern views and historical engravings.

This short documentary shows how a city's water supply is purified at a filtration plant. The complex system of the underground mains that supply all parts of the city with water is also illustrated, as is the safeguarding of water supplies on trains, ships and aircrafts.

A girl comes to the city for studying for the first time.

Le Mile Notti