A light grey room. A slender woman of 50 and a 12 year old boy. Joined together like the links of a chain. Changing positions at a constant rate. One flowing movement. Never losing touch with each other. A game played by a mother and her child. A kind of tango. Sound of feet. Breathing. Faint smiles. Until suddenly the woman's hands let go of each other.
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
Honey Daniels dreams of making a name for herself as a hip-hop choreographer. When she's not busy hitting downtown clubs with her friends, she teaches dance classes at a nearby community center in Harlem, N.Y., as a way to keep kids off the streets. Honey thinks she's hit the jackpot when she meets a hotshot director casts her in one of his music videos. But, when he starts demanding sexual favors from her, Honey makes a decision that will change her life.
From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.
A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.
A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.
The director turns the diary of his sexual adventures into a serial narrative in the style of “One Thousand and One Nights”. This polyamorously-minded queer musical applies the same playful approach to folk tales as it does to Egyptian pop music.
Someone wanders through a house while fleeing from a mysterious presence. Their body dissolves on-screen, and their mind is invaded by a strident gray noise.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
A former professional dancer volunteers to teach dance in the New York public school system and, while his background first clashes with his students' tastes, together they create a completely new style of dance. Based on the story of ballroom dancer, Pierre Dulane.
With Prom only hours away, the usual suspects of Cosa High (Cheerleaders, geeks, bad boys and the happy-go-lucky student council alike) are preoccupied with the annual rituals of teendom. On the night of the big dance when the dead unexpectedly rise to eat the living, polar opposite groups will be forced to unite in their final chance to save the town from the zombies.
A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.
A young Irish boy named Keegan and Spanish girl named Moya journey into a magical world of the Megaloceros Giganteus who teach them to appreciate Riverdance as a celebration of life. Based on the stage show phenomenon of the same name and featuring Bill Whelan’s multi-platinum Grammy Award-winning music.
In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)
A womans last moments before she is consumed by a darkness.
A vision from Limbo, where the canoeist of the eternal lake floats in his boat, between sleep and wakefulness. When he sleeps, he dreams of the everyday of a parallel time. when he wakes up, the same song haunts him again and again. his boat, “ara” (time, in guarani) travels through time like a shooting star.
In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.
After Luke's sister goes missing, he begins having dreams of a strange house. Unbeknownst to him, that house is owned by Alan Roscoe Jr., passed down to him after the recent death of his father. But something about this house isn't quite right, and Alan seems to tend to it in strange and disturbing ways.
As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.
A commuter waits for a ride under the sweltering Manila heat. As his impatience grows, he sets off on his walk home, putting on a pair of earphones as he begins listening to some music...