Imagen de Caracas

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

Through the testimony of Manuel Taborda, a pioneer of labor organizing in Venezuela’s oil fields, this documentary revisits the experiences of oil workers between 1920 and 1936. Their memories reveal a world marked by corporal punishment, exploitation, racial segregation, and disease, alongside the emergence of collective resistance against the American and British oil companies that controlled the industry and the government that enabled them.

In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.

Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.

Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.

Hugo Chávez: Itinéraire d'un révolutionnaire

A machine-voice makes a "sad film of his homeland" for a dying patient to ease its passing: footage from Kennedy's visit to Venezuela in 61' creeps through montage errors, and a seemingly endless poem comes alive one last time.

Documentary about the life of Luis Mariano Rivera.

Short that tells the history of Campoma, a small Venezuelan town founded by black slaves.

1780, a group of slaves flee from a sugar cane hacienda. As they are pursued by Don Manuel Aguirre, obsessed landowner who has fixed his eyes on Azu, the beautiful slave with an ancestral destiny.

Intertwined stories of people fighting for love, survival and the truth during quarantine.

The struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez.

Documentary about the life of Simón Bolívar, directed by Antonio Bacé.

Documentary produced for the 2013 Gaumont release of Michelangelo Antonioni's Identification of a Woman (1982), consisting of interviews with cast/crew members Enrica Antonioni, Andrea Crisanti, Renata Franceschi, and Tonino Guerra, as well as author Aldo Tassone.

Two migrant dancers meet in Greece, transforming rivalry into a dialogue of bodies that explores identity, journey, and belonging.

Les Poussières

An in-depth and in real time delve into the jewel heist that took place on 19 October 2025 and saw men disguised as construction workers break into the Louvre’s Galerie d’Apollon through a second floor window and shatter display cases, grabbing pieces of the French Crown Jewels, including tiaras, necklaces and other jewelry valued at over $100 million. The men then fled on motorbikes.

Beavers is a surreal comedy showcasing and inspired by an important part of the theatre production process — all of the work that goes into the transportation flats and large set pieces. It recycles this work by treating it as a rehearsal.

People on Sunday is filmed with a hand-cranked camera familiar from silent films and the early films of the Lumière brothers. The flickering images and shimmering light produced by this old technology also characterize Viita's film. People on Sunday refers in its title to the German classic Menchen am Sonntag (1930), which is a well-known example of the impact of historical events on the later interpretation of a film. The inexorable passage of time and the beautiful fragility of life are central themes in both films.

Jack is a vegan activist. His father is a slaughterhouse worker. After years of avoiding the subject, Jack sets out to confront the unspoken tension between them.