Little Square

The struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez.

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.

Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.

Through the testimony of Manuel Taborda, a pioneer of labor organizing in Venezuela’s oil fields, this documentary revisits the experiences of oil workers between 1920 and 1936. Their memories reveal a world marked by corporal punishment, exploitation, racial segregation, and disease, alongside the emergence of collective resistance against the American and British oil companies that controlled the industry and the government that enabled them.

A machine-voice makes a "sad film of his homeland" for a dying patient to ease its passing: footage from Kennedy's visit to Venezuela in 61' creeps through montage errors, and a seemingly endless poem comes alive one last time.

Hugo Chávez: Itinéraire d'un révolutionnaire

Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.

Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.

Short that tells the history of Campoma, a small Venezuelan town founded by black slaves.

Documentary about the life of Simón Bolívar, directed by Antonio Bacé.

Documentary about the life of Luis Mariano Rivera.

A group of unemployed girls who are searching for any chance of employment, apply to the public transportation organization to work as bus conductors. But they find that the job is monopolized and controlled by men, and they start a life-changing experience.

These dueling one-act comedies highlight the work of playwright John Mortimer. In "The Dock Brief," an ill-prepared attorney is put to the test when his client confesses to killing his wife. In "What Shall We Tell Caroline?" a father with good intentions tries to protect his wife and daughter from the bad things in life.

Amos Kerran and his wife live a traditional, old-fashioned life on a Connecticut farm, while their son and daughter, Arthur and Maybelle, are successes in New York society. The children want to invite their parents to the city at Christmastime but are ashamed of their unrefined appearance.

Rose, a stranded showgirl, participates in a local amateur show and wins the prize. After the performance, she meets a wealthy young man who buys her supper, gets her accommodation on a farm adjoining his father's estate, and turns farmhand to win her love.

French Canadian trapper Victor Raoul returns to the trading post at St. Ignace to find a rival for the affections of Yvonne, his business partner's daughter, in the Marquis Courtière, Parisian representative of the fur company. Raoul quarrels with Fontaine over the visitor's business dealings and his attentions to Yvonne.

The Alarm

The story of a bride and groom who were engaged in childhood, met by chance at a resort and fell in love. The film has not survived.