Campoma

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.

Through the testimony of Manuel Taborda, a pioneer of labor organizing in Venezuela’s oil fields, this documentary revisits the experiences of oil workers between 1920 and 1936. Their memories reveal a world marked by corporal punishment, exploitation, racial segregation, and disease, alongside the emergence of collective resistance against the American and British oil companies that controlled the industry and the government that enabled them.

In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.

Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.

Hugo Chávez: Itinéraire d'un révolutionnaire

A machine-voice makes a "sad film of his homeland" for a dying patient to ease its passing: footage from Kennedy's visit to Venezuela in 61' creeps through montage errors, and a seemingly endless poem comes alive one last time.

Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.

Documentary about the life of Luis Mariano Rivera.

1780, a group of slaves flee from a sugar cane hacienda. As they are pursued by Don Manuel Aguirre, obsessed landowner who has fixed his eyes on Azu, the beautiful slave with an ancestral destiny.

The struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez.

Intertwined stories of people fighting for love, survival and the truth during quarantine.

Documentary about the life of Simón Bolívar, directed by Antonio Bacé.

Told by her daughter Wendy, MINK! chronicles the remarkable Patsy Takemoto Mink, a Japanese American from Hawai'i who became the first woman of color elected to the U.S. Congress, on her harrowing mission to co-author and defend Title IX, the law that transformed athletics for generations in America for girls and women.

Huangyangchuan township, Gulang County, Gansu province. In a village, two members of a family died in accidents in a short period. People took it seriously, they decided to rebuild the old temple in the village, hoping it could bless them with peace. In the ceremony after the rebuilding was finished, the figure of Buddha, the picture of Chairman Mao, the Taoist and the country shamen, gathered together…This film documented the details of this ceremony, hoping to reveal the common status of Chinese people’s religion.

Prominent Aussies reflect on the Moon Landing - the triumph of human achievement. Using footage not seen since that momentous day, John Barron documents the aftermath as Apollo 11 astronauts made their way around our nation.

While visiting his hometown of Milwaukee, father of three and aspiring attorney, Claude Motley, is shot in the face by 15-year-old Nathan, during a carjacking gone wrong. Two nights later, Nathan attempts to rob Victoria, who fires her gun in self-defense, partially paralyzing Nathan from the waist down. Three strangers tragically bound together by a weekend of gun violence on a five-year journey toward recovery and forgiveness.

On the edge of the Namibian desert, cattle farmers are looking for new land to graze their animals. The lions, who occupied these previously wild spaces, are hunted by herd guards, or even slaughtered when they attack cows. Will and Lianne Steenkamp lived for two years in a territory occupied by a 17-year-old lioness - a "queen" -, her two daughters and their five lion cubs. This film traces the process of empowering the young: after learning to hunt alone, they will have to leave the family pack and find young females to reproduce. A necessity all the greater as their species seems threatened.

Gwen van de Pas returns to her hometown in search of answers about the man who sexually abused her as a child.

Short documentary focused on the background story of the show, including interviews with cast and crew.