Untitled (Colored Light Patterns)

An experimental short film capturing the delicate beauty of different flowers.

An experimental sampled film which shows the pleasurable art of movies about movies through scenes inside of theaters.

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

An Art and a Short Film in which the director records his childhood experiences and memories through the mischievous activities of a boy named Mohammad Saadh.

"SN was born out of an intense personal despair, and a desire to depict a failure of the self, coincident with my discovery of super-8 as a medium completely different from 16mm, well suited to a kind of analog for the written diary ... In part a portrait of Manhattan's constricted spaces, and more generally of the way humans occupy space, it also presents the failed journey of a self to organize, or become present in, the world ... I worked on this film between 1976 and 1984. It is super-8, color, silent, 18 fps, and in ten sections. All but one section is on a separate reel, and there are intended to be 40-second breaks between each reel, in darkness and silence, that are a planned part of the film. The eighth section is itself on three separate reels, each of them quite short, and the breaks between these reels should be a little shorter, about 20 seconds. With the breaks, the film runs about 105 minutes." - F.C.

Four young men have the same dream in which a mysterious voice tells them to search for Wal-Mart. They each awake and manage to find each other. A soothsayer offers very clear directions to their destination, but secretly plans to sabotage their journey. Several weird mishaps occur on their adventure.

In 1960s France, a jazz musician becomes the subject of an impromptu documentary.

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

In the late 1990s, a family of six settles into their new home on Vancouver Island, as internal dynamics are slowly revealed through the experiences of the youngest child, Sasha. Their fresh start is interrupted by the increasingly dangerous behavior of Jeremy, the family's oldest child.

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

yaya/ayat explores identities, being lost in translation and distance. But at its core it's about the filmmaker longing for a relationship with her geographically distant grandma and her journey to Greece to find her. This is an experimental documentary about how being a part of any diaspora shapes a person's identity.

Landscapes revealed themselves through text, paper through movement, while the sun gave them relief. This is a journey across found words, enunciating a discovery, their textures constructing the sea and the waves, in a travelogue from the first exploration, the first step over the sand towards the shore. “Amor” writes this joy to underline it in its time, captured on paper. This film has been composed through a scanner, and it’s the first chapter of the “Reír al Sol” series.

The Taste of Palm Wine

After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.

SIN ROSTRO

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.

An anonymous multinational company interested in capitalizing natural resources, deceitfully leads a powerful politician's wife and her chauffeur on to an empty flat in a big city promising them a better life. The couple are surveilled upon by a faceless representative of the company who not only controls the supplies that go into the flat, but also mysteriously, the space and time inside. As the couple are coerced and blackmailed into going through a series of role-playing, the lines between the past, present and future mystically get blurred. Also blurred are their very existence.

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.

A portrait film about a Kentucky drag queen who ran his own club on Main Street in downtown Lexington, Kentucky.