Let It Be a Tale

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

A family of giraffes on vacation, a forest animal race, and a zebra visiting the zoo! Short classic animal stories. Program of three short films from 2019: "Tout là-haut" by Martina Svojíková, 13' "Le dernier jour d'automne" by Marjolaine Perreten, 8' "Zibilla" by Isabelle Favez, 26'

A feminine machine, stuffed with modern nano-technology and useless operations is depicted in this mixed-media 2D animation short, highlighting the consequences of consumerism and the downfall of civilized society. The machine reminiscent of a two-dimensional video game, leads to a destructive chain reaction after a strange malfunction, with people turning into clones and robots.

Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.

The leaders, the wise men, the leopard, the deer, the owl and the rat all look up in the sky in fear as a strange object flies through the sky.

Spain, 1932. Spanish filmmaker Luis Buñuel travels to the region of Las Hurdes, in Extremadura, where he shoots his third film, a very critical and later controversial documentary about the living conditions of the poor peasants, abandoned and forgotten by the national authorities.

Paris, 1930. Luis Buñuel is penniless after the scandal surrounding the release of his last movie. Sculptor Ramón Acín, a good friend, buys a lottery ticket and promises Buñuel that he will pay for his next movie if he wins the prize.

Eleven-year-old Wardi’s great-grandfather leaves behind a will suggesting looking to the past to find the future. Searching the house, Wardi finds out about her Palestinian homeland from family memories.

In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.

In a seaside sanatorium, an old man sees his life turned upside by the arrival of a seagull that he gently tames. When the gull is injured, the old man takes care of it and for a moment finds his childhood soul.

1973, San Francisco. Charles Bukowski, underground poet and punk ahead of his time, reads his poem Love to a wild audience who've come to see the pulp writer's provocative performance. But that day, instead of a punk they find a broken man hungry for love.

Flying Paper tells the uplifting story of resilient Palestinian youth in the Gaza Strip on a quest to shatter the Guinness World Record for the most kites ever flown.

As Saamidah, a young Palestinian-American girl, anxiously starts her first day of school, she finds her identity in question when faced with a world map that doesn't include her homeland.

Upon his arrival in Paris, filmmaker Tomas Cali immerses himself in learning French, as well as the language of sketching. In an art studio, he meets transgender life model Linda Demorrir, who helps him to connect with himself and his new city in a profoundly different way.

To get his girlfriend Claire the ultimate gift for their upcoming date, Conej is willing to travel the cosmos and beyond in his most unusual plan yet. Conej sets off to build a rocket in an attempt to persuade Claire to blast off to the moon together.

Searching for life in daily rituals, Losing Touch undertakes a shift in perception and presents the city as an ugly yet ecologically rich landscape. The film depicts the internal dialogue on coping with the grief and fear of ecological degradation, using the local streets of Berlin as a means to materialise and confront these emotions. As both the body and mind begin to wander, encounters with the landscape over a 24 hour period are transformed into an overstimulating and emotionally charged journey. Camcorder footage, film developed in beer and cyanotype create sensational and playful depictions of the surroundings, joining the rats scurrying on the ground and fleeing the night lights with the moths. Creatures of metal and flesh interact within and between the frames, coming together as an ugly yet vibrant community. Subverting the nature-culture dichotomy, a new image of nature is formed, not only as a romantic, distant place, but rather a dirty, omnipresent force.

This stop-motion animated short film draws us into a post-apocalyptic world through the eyes of a solitary hamster. Wandering through the ruins of once-thriving cities, he scavenges for objects, searches for water, and tries to care for the last surviving plants. One day, he stumbles upon a pair of binoculars. Through them, he spots a strange house covered in flowers, standing in the middle of the urban desert. Intrigued, he sets off to explore and discovers the Giant, a plant-like creature trapped inside its own overgrown sanctuary. Terrified of the outside world, the Giant dares not cross the walls of its home. Petit decides to help. Together, they embark on a journey that’s as simple as it is extraordinary: to make the Earth bloom again.

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)