The Tough One

A full concert film featuring Shirley Bassey on stage in Antwerp, Belgium during the 'Diamond Awards Festival', including some of her greatest hits, interspersed with behind-the-scenes footage and interviews.

A jewel thief moves towards a reunion of revenge with his lover, who pushed him out of their speeding getaway car.

Anita Morell arrives by stagecoach in a small California town to find her father murdered and his property being stolen by two unscrupulous townsmen. She receives help from a sympathetic lawman and from a masked rider known as "the Black Shadow" whose whip-scarred back is evidence of his own grudge against the townsmen.

On the way to pick up the bounty on a wanted murderer, a bounty hunter stops at a staging post where he is forced to continue his journey with two outlaws who want the murderer for their own reasons and a recently-widowed woman, with the murderer's brother and his men in hot pursuit.

Hank Rouser, "Big Noise Hank," as a daring stranger had called him, was mad clear through. Julius Jones had faithfully promised to return that $500 after thirty days, and now it was long past due, and not even a line from Mr. Jones. So after a little friendly persuasion, in which Hank's six-shooter was brought into prominence, the bar was effectively cleared of its patrons, despite the protests of the barkeeper, and the bully sat down to dispatch a few terse sentences to his tardy friend, upon the receipt of which, Julius, with the aid of Caleb, his old family servant, quickly packed his traveling bag and started on a little journey, which he wrote to H. Rouser, would surely keep him away several months. (Moving Picture World)

When a gang of outlaws put Andy Clyde's ranch house under siege, daughter Alice Day recruits college heart throb Ralph Graves to save daddy.

Johnny Arthur has been ordered to spend a year out west to toughen him up, so he and butler George Davis head out. The cowboys at the ranch don't like him, so Johnny and they play practical jokes on each other. However, when Virginia Vance is kidnapped, it turns out to be real desperadoes.

Western - Singing cowboy Tex Saunders (Tex Ritter) finds himself in a heap of trouble when he agrees to investigate local gangsters at the behest of a lovely lady (Eleanor Stewart). As payment for his pains, he's framed by a saloon owner (Warner Richmond) for killing bad guy Red Dugan (James Mason) and forced to sweat it out in jail. Will his faithful sidekick, Chilo (Syd Saylor), show up to save his skin … or will Tex have a date with the gallows? - Tex Ritter, Warner Richmond, Eleanor Stewart

A prospector discovers natural cement and suggests it should be used for a new dam. But this is the last thing the badmen of Trail End want, as they have a monopoly of the wagons needed to haul rocks to the site. A pretty sheriff notwithstanding, it's a job for a singing marshal.

West of Nowhere

Finding Dale's wallet, Denny returns it just as two men shoot each other with one dying and one escaping. Dale blames Denny for the murder and Lasses has to pose as the Sheriff to free him. Trailing the wounded man they learn he and Dale are Government Agents. Jimmy, Denny, and Lasses now join up with Dale and soon find themselves involved in a gold bullion smuggling racket.

Government agents work to interfere with schemes to trick the Comanches into war with the Texans.

Lawyer Butler, wanting Jeff Carson's ranch, has the Sheriff and his gang frame the bank holdup on him. Then they kill a witness that could free Carson and blame the murder on his son Sunset. But Sunset escapes, frees his father, and then sets a trap to catch the real killers.

An introvert is given a locked treasure chest worth millions which forces him to go on a wacky series of multi-genre adventures to find the key.

Broncho Billy shoots an outlaw for making a disrespectful remark about his sweetheart. After the shooting he hastens to her home and tells her he has shot a man, but does not know who he is. Shortly after the remainder of the gang of outlaws arrive and, to learn the direction Broncho went, tell her it was her father who was shot.

Sophie tries curing Slim's drinking problem by forcing him to drink ammonia, but it doesn't work.

Broncho and his wife arrive in a new country and settle. They are treated with all kindness by a man who later turns out to be a moonshiner, and Broncho, not having any special occupation, is induced to help the outlaw in his work. One day while Broncho is at work, the moonshiner goes to his helper's home and forces his affections upon his wife.

Mustang Pete receives a letter from his daughter, Sophie, who is away at boarding school, asking permission to bring some girls home with her to spend their vacation. Mustang flatly refuses. That afternoon he and Slippery Slim have a fight over a checker game, and to get "square" Slim advertises the fact that he will pay his ranch hands double the salary that Mustang will pay. As a result Slim gets all of Mustang's helpers. Mustang then writes to Sophie and tells her to bring home the girls if she cares to. The girls arrive the following day and Mustang has an abundance of help, all of Slim's helpers deserting him.

Broncho Billy, the town good-for-nothing, makes his headquarters at the saloon, where he makes a few cents each day by sweeping out the place. One morning the hotel proprietor, the general store keeper and the chairman of the town board, upon going to their places of business, find that they have been robbed.

Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.