A bunch of British working class amateur filmmakers with nothing left to lose tackle one of Hollywood's greatest musicals in order to save their beloved Club. Britain’s oldest amateur filmmaking club struggles to survive, as its members grow old amid flickering memories and hardships. In the northern industrial town of Bradford, England, a handful of diehard amateur filmmakers desperately cling to their dreams, and to each other, in this warm and funny look at shared artistic folly that speaks to the delusional dreamer in us all.
Since the early 1990s, Quentin Tarantino has been on a cinematic rollercoaster ride, that's never looked like slowing down, that has cemented himself as one of the worlds most influential filmmakers. Through his unique style, Tarantino carved out a place in Hollywood just for him, and even when others have tried to emulate him, his films stand-out amongst the crowd. And with one movie left before he supposedly retires, we take a look back at the ups and downs of his incredible life on film.
When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."
Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.
Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.
Pixar director Peter Sohn takes viewers on a humorous personal journey through the inspiration behind Disney and Pixar’s feature film “Elemental.” “Good Chemistry: The Story of Elemental” traces his parents’ voyage from Korea to New York, explores his dad’s former grocery shop in the heart of the Bronx, and delves into his choice of a career in animation, rather than the family business.
A free and intimate portrait behind the scenes of Valeria Bruni Tedeschi's creation. In front of the camera, she transmits to today’s young actors the memory of the 1980s.
Documentary which follows Bo Widerberg during the making of 'Man on the Roof', 'The Butt' and a failed theater production.
The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.
A feature-length documentary focusing on the acclaimed work and eclectic career of maverick filmmaker Larry Cohen, writer-director of "Black Caesar," "It's Alive," "God Told Me To," "Q," "The Stuff," and many more.
Documentary about the making of the Spierig Brothers' 2014 film PREDESTINATION that is based on Robert A. Heinlein's 1959 science-fiction short story '—All You Zombies—'. Through interviews with cast and crew, film clips and behind-the-scenes footage, this documentary thoroughly explores how the film came to be from casting to pre-production to principal photography to post-production. Interviewees include writers/directors Michael and Peter Spierig, producers Paddy McDonald and Tim McGahan, director of photography Ben Nott, special makeup effects designer Steve Boyle, production designer Matthew Putland, special makeup effects supervisor Samantha Lyttle, costume designer Wendy Cork, film editor Matt Villa, and actors Sarah Snook, Noah Taylor and Ethan Hawke.
Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.
A documentary about Tim Burton's iconic 1988 fantasy comedy Beetlejuice, covering all the aspects of production: from filming in East Corinth, Vermont, to the stop-motion and special effects work, as well as a series of exclusive interviews and rare behind the scenes archives.
HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.
For more than 40 years Kathryn Bigelow has been making films that explore male violence. With movies like Blue Steel, Point Break, The Hurt Locker and Zero Dark Thirty, the Oscar winning American filmmaker has impressed with hard-hitting moviemaking that holds a mirror up to contemporary America and the world.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
Narrated by historian, critic and filmmaker Elvis Mitchell, this documentary reflects the development of the iconic filmmaker's signature style, through the making of one of his benchmark films, Blackmail. The documentary highlights the birth of the "Hitchcock Touch" at a period when talking pictures first emerged and explores his trademark themes, like such as murder, suspense and cool blondes. While focusing on Blackmail, the documentary reveals how this film also foreshadows the director's later masterpieces, from Psycho to North by Northwest and from The Birds to Frenzy.
This is not a documentary about the making of Midnight Cowboy. It is about a humane and groundbreaking masterpiece and the flawed but gifted people who made it. It is about a troubled era of cultural ferment, social and political change, about broken dreams and strivers, then and now. It is about an era that made a movie and a movie that made an era.
A look at legendary Japanese animator Hayao Miyazaki following his retirement in 2013.
When Canada entered World War II, the National Film Board suddenly had an urgent new mission—and hundreds of women stepped forward, helping to create Canadian cinema as we now know it.