GARDEN STATIC

The very first film in which Maya Yonesho tried to show her thoughts. Even just circles may be able to show emotions as a person in animation. The main circle (character) is slightly pinker than the other grey circles (people) and she thought she was very special. But she is very grey in a colourful world. She will find out that grey is not just a boring colour.

Klora and Minky work together to solve a very.. very.. very important equation.

A mathematical play on one repeated movement. It imparts a sense of possibilities: that something simple can produce complex and unexpected patterns. As with an atom, the variety of possibilities from a base movement is potentially infinite.

Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.

An animated tribute to the text of "If I Must Die," the final poem written by Palestinian writer, scholar, activist, and martyr Dr. Refaat Al-Areer.

A mad clock takes the viewer on a trip to a random planet. Which happens to work in a different conception of time than we know. Made in relay process, the results are unexpected and mind tripping.

A trip towards abstraction, as an hypothesis on how mountains might have been formed.

Sixteen 'objects', each consisting of one hundred points of light, perform a series of precisely choreographed rhythmic transformations. Accompanied by the sound of a Shakuhachi (the Japanese bamboo flute), the film is an exercise in the visual perception of motion and mathematical structure.

The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.

A lensless exploration of hair on 35mm film.

A short mathematical romance about two flat beings who bond over their shared fascination of the hypothetical third-dimension.

A feminine machine, stuffed with modern nano-technology and useless operations is depicted in this mixed-media 2D animation short, highlighting the consequences of consumerism and the downfall of civilized society. The machine reminiscent of a two-dimensional video game, leads to a destructive chain reaction after a strange malfunction, with people turning into clones and robots.

Two Space systematically explores symmetries used by Islamic artists to create abstract temple decorations. The two dimensional patterns, like the tile patterns of Islamic temples, are generated by performing a set of symmetry operations (translations, rotations, and reflections) upon a basic figure or tile. Two Space consists of twelve such patterns produced using each of nine different animating figures (12 x 9 = 108 total). Rendered in stark black and white, the patterns produce optical illusions of figure-ground reversal and afterimages of color. Gamelan music from the classical tradition of Java adds to the mesmerizing effect.

A hand moves gently, its presence shifts continuously.

A child is attacked and turned into a chimera and must learn to navigate his strange world as an entirely new kind of being.

My Body Is Not My Home is a 3D animated short film following the journey of an uncanny simulacrum who undergoes the process of becoming the ‘Other’.

A film about uncanny valleys and the space between. Painted 16mm film undergoes a monstrous transformation becoming neither analog nor digital.

Bizarre abstract stop-motion animation questioning traditional values in a period of great social upheaval.

An experimental hand-stitched short film, exploring the feelings of gender dysphoria experienced by transgender people.

In this animated short, simple geometric forms as thin and flat as playing cards constantly form and re-form to the sound of the koto, a 13-stringed Japanese instrument.