The List

An accounting of dreams I’ve had while filtered as a D*sney cartoon.

Ten Thousand Years

A video consisting of 82 pieces of found footage, individually titled and accompanied by a set of notes played on piano. Together, these 82 segments, combining image, text and sound, make up a statement that is neither large nor small.

An unfinished short student film about dreaming

A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.

Gitmeye Dair

A nuclear family sits in front of the television. The phone rings.

A neurotic, alcoholic trans man struggles through navigating his social and love life.

Symphonic documentary exploring the Miami identity in six movements. It was performed and projected live by the New World Symphony, led by Michael Tilson Thomas on Feb 22, 2018. The film is made up of five separate and synchronized video channels, projected onto the walls of the New World Center concert hall, above a full symphony orchestra.

The Hungarian word "alkotás" (artwork) has a dual meaning – it can refer both to the process of creation and to the finished artwork. The film tells the story of how a canvas comes alive, how playful, abstract forms are created, each one carrying its own human narrative.

A short collection of footage from a last year.

Body Collage is a visceral "movement-event" from 1967, in which Schneemann paints her body with wallpaper paste and molasses, and then runs, leaps, falls into and rolls through shreds of white printer's paper, creating a physicalized corporal collage. "My intention was not simply to collage my body (as an object), but to enact movement so that the collage image would be active, found, not predetermined or posed," writes Schneemann.

An introverted girl struggles to form connections through a strange social media site.

Le Gigot

Experimental film using fireworks, often superimposed and in soft focus, printed in negative form with a black image on a white background. Plucked piano strings reversed xylophone and cymbal with an electronic vibrato effect form the background sound effects.

A perspective on everyday things.

Lynsey Martin’s work includes the use of collage and its erasure, the grain of the photographic image and handpainting and drawing imagery directly on the film surface. Martin deals with the graphic and material elements of the filmstrip, the nature of filmic movement and the nature of photography in public space.

A debt-settlement meeting turns into a surreal nightmare of ego, sexism, and chaos.

The sun’s energy circulates throughout the earth, feeding the cycle of life. Everything is connected in a natural loop, which repeats, like the circular discs of magical optical toys. This perfectly balanced rhythm is disrupted by human excess, throwing the cycle out of orbit and temporarily stopping the circulation of energy in nature.

Two kids' friendship is tested in a game of cards as a mysterious figure watches them from outside.