La Couleur de l'esclavage

Terre marronne

L’esclavage au cinéma, la fin d’un tabou ?

Le souvenir dans la peau, esclavage en terre normande

10 mai Africaphonie

La Route des abolitions

La Liberté générale : chroniques de la 1ère abolition de l'esclavage 1794-1802

Vers la seconde abolition de l'esclavage dans les colonies françaises de 1802 à 1848

L'esclavage à Bourbon

Le Diable noir

In this short film, in search of a cinematic grammar more in tune with Creole imaginary and oral tradition, we follow Ondine's quest. She returns to La Réunion after an absence of four years, because her Pépé, a local zarboutan, is dying. Just as she has to say goodbye, Ondine has a strange encounter in a pond.

Los Palenqueros du Pacifique colombien : cinq siècles de solitude

Au nom de nos ancêtres, esclaves et négociants

Ne suis-je pas ton frère ? La Société des Amis des Noirs 1788-1794

Filmed in his home in Paris one late summer, the philosopher and political figure Antonio Negri takes as a starting point a short story — a parable written by Marine Hugonnier — and transforms it into a political hypothesis. It is the story of a community of children who live in roofless houses in a world where two suns shine permanently. When an eclipse is about to take place, the children get scared. They are terrified as they do not know the darkness, they’ve never seen the stars. To cope with their fear, they decide to burn their houses to generate light. From there Antonio Negri weaves anecdotes, evokes Alexis de Tocqueville and Saint Francis of Assisi, protests against biopolitics and formalises arguments which reveal his unconditional engagement for activism, absolute democracy, the need to recreate communities, and his restless quest to find joy in the heart of “the multitude”.

Santini's Network is a biographical film by German filmmaker Georg Brintrup on the life of Roman music collector Fortunato Santini and how his famous private assembly of manuscript scores grew into the greatest music collection of the age.

A legendary Polish driver returns to take part in one of the most difficult car races in the world. Will Sobiesław Zasada win the next car race at 91?

Shot in Claude Monet’s Garden in Giverny (France) this film is a search for its cusp — a possible point of passage, set at the limit of the scope of representation and at the beginning of the animal and the vegetal realms. The film shows the microscopic ecosystem that constitutes Monet’s “pictorial Garden”. It is an attempt to capture it from a non-perspectival point of view. Shot as a single sequence running the duration of a 400-foot reel, it features views of the edges of water-lily’s leaves and of Monet’s iconic green bridge, until the lens of the camera is intentionally removed to place the analogue film directly in contact with the environment, recording its presence with no interface. The abstract image resulting from this process captures the shimmering lights and movements of all beings during this quiet summer night.

Isabelle Huppert's first one-character project — out of the blue, an electrifying, form-smashing tour de force, capturing (for those with ears to hear) our current moment.

Konrad is a stand-up artist. He has achieved international success some time ago, but currently his ideas are not appreciated by either producers or audiences. He lives in the shadow of his famous partner. And when at some point he is truly alone, his mother and sister reappear in his life, relations with whom can be described as ... complicated.

Ladies man, Kingston, gets more than he bargains for when he encounters beautiful spoken word artist, Shandre, who introduces him to a lifestyle deeply rooted in African American culture. Finding himself falling head over heels for the first time; his past resurfaces, and jeopardizes his future.