Le souvenir dans la peau, esclavage en terre normande

Le Diable noir

La Liberté générale : chroniques de la 1ère abolition de l'esclavage 1794-1802

Vers la seconde abolition de l'esclavage dans les colonies françaises de 1802 à 1848

L'esclavage à Bourbon

10 mai Africaphonie

La Route des abolitions

La Couleur de l'esclavage

Los Palenqueros du Pacifique colombien : cinq siècles de solitude

L’esclavage au cinéma, la fin d’un tabou ?

Terre marronne

In this short film, in search of a cinematic grammar more in tune with Creole imaginary and oral tradition, we follow Ondine's quest. She returns to La Réunion after an absence of four years, because her Pépé, a local zarboutan, is dying. Just as she has to say goodbye, Ondine has a strange encounter in a pond.

Ne suis-je pas ton frère ? La Société des Amis des Noirs 1788-1794

Au nom de nos ancêtres, esclaves et négociants

This making-of piece includes remarks from production designer Owen Paterson, concept artist George Hull, visual effects supervisor John Gaeta, US unit production manager L. Dean Jones Jr., US model unit special effects coordinator Geoffrey Heron, Zion unit sequence lead Rodney Iwashina, high speed first assistant camera Paul Sanchez, US model unit art director Nanci Noblett, conceptual designer Geofrey Darrow, model shop supervisor Michael Lynch, US model unit producer David Dranitzke, prop maker foremen Dave Fogler and Fon Davis, and visual effects supervisor John "DJ" Des Jardin.

De(s)amparo, polifonía familiar

This thirty-minute documentary follows the Wachowski sisters and the film's crew through production on the film's famed highway chase sequence. We get interviews with the visual effects supervisors, the stunt coordinators and even are taken through aspects of pre-production and planning for the scene. Then the documentary moves into production, the scariest aspect of which is certainly Carrie Anne-Moss trying to learn to ride a motorcycle good enough to do so safely without helmet for the scene. We also watch as the stretch of freeway used in the film is being built.

This making-of piece offers the standard mix of movie snippets, behind the scenes materials, and interviews from cast and crew on the making of the film.

Alfred DesRochers, poète

A look at Enter the Matrix: The game's story picks up just before The Matrix Reloaded and runs parallel to that of the film. Bend the rules of the Matrix with martial arts, pilot the fastest hovercraft in the fleet, or just fight with lots of guns.

A Matter of Land recounts the first year of application of Colombian's Land Restitution Act from the perspective of a community who decide to engage with the process. The film explores the tensions that arise when such communities come face to face with the complex institutions responsible for enforcing the law. The result of these tensions is a narrative worthy of Kafka, in which a doorway to justice is opened for the sole purpose of demonstrating that no one can pass through it.