La Liberté générale : chroniques de la 1ère abolition de l'esclavage 1794-1802

Vers la seconde abolition de l'esclavage dans les colonies françaises de 1802 à 1848

L’esclavage au cinéma, la fin d’un tabou ?

Le Diable noir

L'esclavage à Bourbon

La Route des abolitions

La Couleur de l'esclavage

10 mai Africaphonie

Terre marronne

Los Palenqueros du Pacifique colombien : cinq siècles de solitude

Le souvenir dans la peau, esclavage en terre normande

In this short film, in search of a cinematic grammar more in tune with Creole imaginary and oral tradition, we follow Ondine's quest. She returns to La Réunion after an absence of four years, because her Pépé, a local zarboutan, is dying. Just as she has to say goodbye, Ondine has a strange encounter in a pond.

Au nom de nos ancêtres, esclaves et négociants

Ne suis-je pas ton frère ? La Société des Amis des Noirs 1788-1794

"Never Again?" seeks to educate others on the horrors and consequences of anti-Semitism. The film follows the journey of a Holocaust Survivor and former radical Islamist as they seek to leave behind a legacy of love over hate.

Actor Mark Bonnar is on a mission to understand more about the Scottish new towns in which he grew up, exploring the street sculpture made by artists such as his dad in the 60s, 70s and 80s. He discovers why the new towns are there and how they enticed people out of the bigger cities, and uncovers the surprising ways in which public art changed the new towns and the new towns changed public art. Mark's father, Stan, made sculptures that stand to this day on the streets of Glenrothes, East Kilbride and the Scottish new town that never was, Stonehouse. These new towns employed town artists to make artworks in the very housing precincts the new residents were moving into.

This film revolves around a poor family that lives in misery and tears. In this film, the history of 400 years ago will be reflected back by the audience. It is very possible that this film Rain of Blood is one of the best films of all time among the films directed by Salleh Ghani at Merdeka Studi

The film was commissioned by the Environmental Defense Fund, an organization founded by Dennis Puleston and others, to raise public awareness of dangers inherent in the way we were responding to the environment a half-century ago.

Innerer Kongo

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.