Out Iris

A recollection of almost 40 years of career. A giant image-jukebox, from early 70s autoportrait to films for Alain Bashung / Elli Medeiros, private karaokes to “video sculptures” applied to John Travolta or Maria Callas, and much much more…

A stop motion/collaged based independent short film plays with the recontextualisation of memories and how time distorts them.

A mesmerizing trip through the psychedelic vastness of space.

After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.

A teenage boy is forced into making a decision within 60 seconds between a possible death, or being pulled into an unknown reality.

mens·beeld (het; o; meervoud: mensbeelden) A "Mensbeeld" is a well-thought-out and coherent representation of what it means to be human. Human images are linked to (historically determined) philosophical, philosophical or religious convictions.

Speaking upon the release of ‘Bodyguard’, Black Dahlia said: “Bodyguard is a theatrical exploration of gaining a new body but your soul remains. It is a sonnet to your past physical body in this realm and the new union that will inevitably be formed. A harsh and gentle celebration of your capabilities, your limits, and your destiny.” As well as being the Director for the music video, Black Dahlia was also Producer, Art Director, Choreographer, and Concept creator for the project. Donning various characters, Black Dahlia embodies performance art and its mediums such as contortion, mime, surrealism, Dada, the avant-garde, and body horror. ‘Bodyguard’ follows Black Dahlia in various theatrical forms and her journey to transformation through reanimation that looks reminiscent of a John Waters film. It also features cameos from Melbourne-based artists, Bura Bura as Dr Barget Hower, Manda Wolf as Dr Avanti and Cong Josie as Dr Cong.

The film is about the deceleration of motion in linear form and speed, establishing a connection between space and love. It ends with high-contrast photos with increasingly drastic color changes. This short film, inspired by Brakhage's Stellar film, was created by manipulating 1750 space photos in Photoshop along with grotesque paintings. Some frames contain black paintings by Francisco Goya, grotesque drawings by Leonardo da Vinci, grotesque engravings by William Blake. In order to refer to Brakhage's poetic style and understanding of storytelling in experimental cinema, two poems by Frank O'Hara and Kenneth Koch are placed in the beginning and end of the film.

An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.

Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.

A concert film documenting a performance from the Houston artist Orpheus Von Doom.

A possible alien presence in a filmschool campus turns the unknown present in the life of its students.

Filmed in a decaying housing estate in east London, "Rhythm 06" renders the outer trappings of internal collapse, a choreography of layers of the real. This new reworking of "Rhythm 93" transposes Michael Whitmore's ethereal score for 10-string guitar and overtones on Carolyn Roy's original riveting hypernaturalist performance.

Casa Loma was the unfinished dream mansion of Canadian industrial magnate Henry Pellatt. A self-made millionaire, Pellatt was derided by fellow aristocrats for nouveau-riche pretentions: the house and its décor considered by many an ornate fake. Its original contents were sold at Pellatt’s bankruptcy auction in 1924. Today the building is a museum. The movie has three sections—the first in a cellar tunnel, the next in a first-story workroom near the stables, the third in the tower’s summit.

An abstract animation with a motif of a dragonfly, and a complex multi-exposure landscape of a field and a woman's naked body overlap.

Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic.

In an inner world suspended between oblivion and creation, a female figure moves through a dreamlike space where forgotten ideas take shape. Genesis is an experimental piece that explores the journey toward the origin of an idea — of oneself.

The film takes a look at seven different twilight zones between the physical and virtual. We cannot escape from the grid but can we bend it from the inside?

Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.

Jessica, a young carer, and her mum, who is deeply paranoid and who sees and hears unexplained things have a strong and loving relationship. But the misfit relationship they have brings many challenges they struggle to overcome. The mum's deterioration in her mental health causes her to be sectioned, leaving Jessica lost in her life.