Schoolboy

A portrait of new found sobriety and love unravels as a young woman moves through the motions of melancholic life in seclusion.

El Retiro

A collection of solitary urban images intersect with each other.

Experimental short film that mix drawings of Jean-Luc Chansay's daughter with computer animation and sculptures of Marie Mercier.

A meditation on the Moon as a series of spheres melting away. The audio-visuals are synchronized via a repeated glitch process: the same values that databent the visuals are also used to change the base audio samples, creating a translation between a visual glitch and an audible one, even though in the final presentation they seem entirely different.

Every day in Sutton, scientists from The Institute of Cancer Research at The London Cancer Hub try to discover what will defeat cancer. In the summer of 2022, communities in Sutton came together to celebrate their incredible research through the creation of a short community film celebrating this science. The resulting film showcases choreographed dance sequences as creative yet recognisable interpretations of scientific concepts.

The twilight and half-closed vision of the blinding bursts barely reveals fleeting and luminous unexpected phosphorescences, through and through the scenery, like so many flashes of understanding, promises of famous colors to come...

A trans Vietnamese woman's deadname being repeated over and over again.

Fragments from Brussels, about the flow of the city, A cinema, A body, A film, and a wind that blows through the town. The film is a Schizomentry experience that blends real stories and fiction. After all, where is the border?

A young girl from New Orleans dreams of celebrating her birthday during the weekend of Hurricane Katrina.

A young woman goes on a cathartic journey through memory and imagination inspired by the performers at an open mic.

Experimental filmmaker Rubén Gámez explores the iconography of the maguey plant in Mexican cinematic history.

A couple, Vlad and Sophy, navigate their relationship as well as their own struggles with mental health in the context of a highly connected, politically uncertain modern world while on a trip to a remote Canadian island in this avant-garde feature film. PREFACE TO A HISTORY, created with a tiny crew of four people, represents an experiment in using minimalist tools to create an overwhelming aesthetic experience in service of a simple, but specifically contemporary, story about two people attempting to navigate a fraying relationship amid all the anxieties and external pressures of modern adulthood in a technologically-interconnected and politically unstable era.

Psychedelic animation that impresses with eyeballs and other motifs.

A tense abstract animation with delicate line drawing. Contemporary musician Nakamura Shigenobu is in charge of the music used in the work.

In the course of a movie that deteriorates within itself, a woman is faced with the corruption of her cognitive system.

A son finds himself suspended in time, haunted by a presence that seems both familiar and distant. As he navigates a looped reality from a single point of view, fragments of memory and emotion begin to surface, hinting at something deeper left unresolved.

The mental unraveling of Rowen, a religious leader faced with questions of identity and meaning as a prophesied revelation approaches.

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

For this film, Takashi Makino allowed himself to be inspired by the earth. In a never-ending stream of images, we recognize elements from the forest that he then reduces to an abstraction. The film came about as a classical composition in which the picture and the musical contribution of Jim O’Rourke link up seamlessly and lead the mood in turn. A sense of freedom is what predominates.