Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.
As a young woman walks home alone one night, a chance encounter with a missing dog incites the reclamation of her body and self — as she learns to bite as tough as her bark.
A conversation between reality and consciousness.
During Childbirth, a mother is told the child is stillborn, and she struggles to finish the birth in order to survive.
Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.
A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.
Flashing lights explode across an apartment as images of a woman in bed flicker in and out.
A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.
After his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises pioneering a new program to extend life through robotics, they get caught in a public debate over human’s relationship with technology and her right to exist.
Katie has escaped an abusive household with her dog and younger sister Haley, in exchange for a less than ideal temporary housing environment. They soon realize that someone is too eager to welcome them to the neighborhood.
The story takes place in the landscapes of La Spezia, where urban and rural environments intertwine. Water plays a primary role as a form, alongside the circle (e.g., bicycle wheels, pizzas, clocks…), which sets the rhythm of the character’s life, dynamically accelerating until it becomes very fast. The overlapping forms invite the viewer into the cyclical rhythm of the short film, moving from the spinning bicycle wheel to the washing machine drum in the character’s bathroom, from a freshly tossed pizza to the delivery mailbox, and finally to a dead-end wall. Savana is a race against oneself and against others; it’s a matter of decision and unpredictability — it’s black or white.
In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.
A young scientist studies the mechanics of time travel by having a conversation with a group of her future selves.
A short film by Bryce Hodgson.
Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.
Man is constantly confronted by the one eyed beast. When peeking through the hole in his box, he discovers a truth that transforms his life. Every time the beast observes him and the darkness approaches his box, he becomes an embarrassed being.
A sensitive study on human relationships and the passage of time. Through the lens of directing and editing, the film observes the nuances of daily life and the resilience of connections.
The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity
Inspired by the works of Bertolt Brecht, this film explores what his style of theatre might look like on film.
A wall-painting on Earth is too terrifying to exist, so unknown forces remove it.