A film crew is shooting a movie about guns and robbers, when real robbers turn up. Having to go home in robbers costume, they are mistakingly accused of a robbery. One of the earliest films portraying bisexual characters.
Fairground boxing booth where visitors try to knock out the champion and win five pounds, the first contestants is knocked out but the very eager (and possibly drunk) third man knocks out the champion and overcome with "boxing fever" rushes out punching at everybody and everything he meets. (britishpathe.com)
Each time Mrs Babylas sees an animal, she just can't help herself bring it back home.
Sitcom for 1920s cinemas about the Winter family.
Josh doesn't like the way things go at home and decides to quit and get out. Later, his wife gets what purports to be his farewell letter, which is intended to lead her to believe he has committed suicide. He, however, goes to New York to have a good time, and he does, "by gosh." The wife, believing herself a widow, makes a trip to New York with her admirer. Well, you may guess the rest.
At Thanksgiving, a tramp arrives in a homeless-hostile town.
When a calendar notification pops up, a frantic character tries to find the perfect date outfit.
An 1895 British short black and white silent comedy film featuring two drunken men and a boy squabbling in a small bar.
Believed to be the first film to feature cannibals.
A documentary about some of the comedians of the silent era featuring clips from their films and biographical information.
Tuija Suvi, who works as a model, is delivering a dress to the daughter of a commercial counselor, but she has an accident and ends up meeting musician Asko Kari. Asko assumes that Tuija is the daughter of the commercial counselor and ends up inviting her to a restaurant, where both try to pretend to be something they are not. Gradually, however, the couple begins to truly fall in love with each other.
Farmer Toby Watkinsm whose fanciful poetry does not impress his exasperated uncle, leaves the farm to become a subscription solicitor for the "Sawbert Weekly Clarion." In Sawbert, Toby meets Mayor Lot Morris' daughter Jean, and the shy young people fall in love. Crooked stock promoter Kendall Reeves arrives in town and unveils his plan to open a string-bean cannery.
Anita and Marion realize that an abandoned baby they sneaked into an orphanage was kidnapped from a millionaire. For the reward, they proceed to break into the institution at night, dressed as men to beat curfew, to get the kid out again. This film survives only in very fragmentary form.
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Informed by her husband Ed that they will not be honeymooning at Niagara Falls as promised, but rather at the County Fair, newlywed Peggy decides it is time to assert her independence and steals away to the falls alone, leaving her bewildered husband to follow. After the honeymoon, Ed takes his bride to the home that had been his mother's, and Peggy redecorates the entire house in her husband's absence. Gradually, Ed learns to submit to his wife's modern attitudes until he discovers that her continual visits to the city have not been to the dentist's, as she had said, but to the studio of portrait painter Perry Pipp. Ed angrily confronts Peggy with her deception, forcing her to return home to her parent's house. Later, when Ed learns that Peggy has been posing for a portrait as a birthday surprise, he begs his wife's forgiveness, which she bestows, along with the information that a baby is on it's way.
Le mogli e le arance is characterized by a wonderful sereneness. It is the kind of quietude which many of us connect immediately with the south. Everything seems to be in its perfect place, and time is just passing. In the setting of a sanatorium a nobleman is practicing idleness and slow-motion mind games. Does it sound boring? Yes, it does. But it is not, the uneventfulness is definitively enthralling. The film director tries to narrate time, time itself, as such, for its own sake: a rare experiment.
An opportunistic umbrella salesman attempts to save a musician and his daughter from blackmail.
As a practical joke, an actor impersonates the screen monster he made famous. A lost film.
When St. Vincent sets out to make a documentary about her music, the goal is to both reveal and revel in the unadorned truth behind her on-stage persona. But when she hires a close friend to direct, notions of reality, identity, and authenticity grow increasingly distorted and bizarre.
The timid youngest son of the most important family in town must use his wits to win the respect of his strong father and the love of a beautiful new woman in town.