Escrime au sabre

In 1991 three teen girls called Midi, Maxiand Efti became celebrities over night and the suburb Akalla was suddenly known all over Sweden. Fifteen years later two old friends try to make a film about the phenomenon. But Midi, Maxi and Efti no longer have contact, and they are not at all interested in talking about the past. A melancholically journey to the past by two friends who have a hard time letting go. "I like it like it is and I like it like it was but I'm not so sure any more any any more..." From the song "Bad Bad Boys" by Midi, Maxi & Efti.

Segismundo Morey has spent his last few years facing the challenges imposed by Andrade’s rare disease. This medical condition, which affects his nervous and muscular system, has left a deep mark on his daily life and that of those around him. Over the years, Segismundo has had to overcome physical and emotional obstacles, dealing with difficulties in walking and moving normally. However, despite the constant challenges, he has found comfort and strength in the unconditional love and support of his family. Together, they have faced the adversities of Andrade’s disease, forming an indestructible bond that has been key in their shared journey.

It all started when Astrid was going to move to Gothenburg. A first-hand lease in an apartment district turns into a hub for 13 years of life. Many people have lived and slept here. Love has bloomed and life has been changed.

In 1968 Herz Frank made Without Legends (Bez leģendām) at the Kuibishev studios, together with Aloizs Brenčs and Aleksandr Sazhin. The film is based on the memoirs of Hero of Socialist Labor Professor Ivan Vasilyevich Komzin, former head of construction of the V. I. Lenin Volga Hydroelectric Power Station; Hero of Socialist Labor excavator operator V. Klementyev; Honored excavator operator Viktor Vasilyevich Starikov; and writer Konstantin Kirillovich Lapin. Documentary filmmakers from Kuibyshev were making a film about the excavator operator and Hero of Socialist Labor, Boris Yegorovich Kovalenko. However, the material turned out to be too ambiguous to create a film about a model Soviet working man. They turned for advice to the Riga-based documentary filmmaker Herz Frank. He shot additional footage and edited the collected material in such a way that it became a story without legends—about an ordinary person.

One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist and society.

This poetic core in youngsters is also touched in Stanukina's less known Your very personal poetry (Свои, совсем особые стихи, 1982), a wonderful film about a poetry class. It is here that one recalls Kogan's admiration of Lyalya's emotional documentary skills. And it is here that one recalls Kosakovsky's depiction of Lyalya as a person of extraordinarily prosperous feelings, sensitive and energetic, childish and female, shrill and quiet. The young poets are marvellously sneaky, respectfully adoring and creatively playing with - maybe even deconstructing - "Aleksandr Sergeevich", Mr. Pushkin, Russia's exclusive trade mark of high culture and literature.

Movie-lesson observations in the classroom teacher of the Leningrad Conservatory honored artist of the RSFSR N..The Serval. Forty physical steps from the Leningrad Conservatory to the Kirov (Mariinsky) theatre - the way of the artist, overcome, physically and emotionally exhausting rehearsals. Great camera work.

A film about a simple village woman Zinaida Zvereva who married a disabled frontline soldier and lay all the hardships of living together onto herself

A portrait of America's oldest practicing attorney as he embarks on his final case. 

Using poetry, interviews with psychologists and survivors, and corporeal imagery, Broca is an experimental documentary hybrid that explores how the mind-body connection is altered after trauma. The Broca’s Area in the brain is involved primarily in speech production. During a traumatic event or when trying to recall a traumatic event, this area shuts down. This makes it harder for a survivor to talk about what’s happened. Our project is an experimental documentary hybrid that offers a platform for survivors to tell their stories both verbally and non-verbally.

Documentary musical essay on the topic of "Grenzwert". It was created in 72 hours.

A contrast between village, peaceful life, and city, hectic life, told through images.

Take an adventure into a world where the trails never end, and the only limit is your imagination. Built atop a poetic narrative, athlete Mike Hopkins takes audiences on a journey through his dreams.

The film tells a story of Kosynka, a pregnant mare, and her owner, a battered old man. Kosynka leads the “horse walker,” designed to train young horse to walk steadily and at a pace. Set to a soundtrack of Bach and Russian folk music, this film is another example of a parable-like narrative, which became more popular in Soviet documentary in the early 1970s.

Forty four years ago, it seemed like a good idea to build a squat, concrete motel in downtown Columbia, Missouri. But within a few years, guests were calling for a do-over. Now, with the downtrodden building’s fate sealed, the Rabid Hands artist collective arrives on the scene as hospice workers, assisting in the passing of the building’s soul. What ensues is a New Orleans-style voodoo celebration of a previously unsung piece of architecture.

This film records the vast public response to the early death of Vera Kholodnaya, the first star of Russian cinema.

Ivy Bairley and Chance Conerly return as a duo to showcase the tragic downfall of Eugine Mulvihil's Action Park.

Made at the height of 'cold war' paranoia, this drama-documentary shows the work of the UK Warning and Monitoring Organisation, who's duties included the issuing of public warnings of any nuclear missile strike and the subsequent fallout.

A documentary covering the making of Chicken Run.

German silent film