The Girl Downstairs

In 1962 New York City, love blossoms between a playboy journalist and a feminist advice author.

Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better.

Directed by Max Urban.

After her return from school in Paris, a playboy finally takes notice of his family's chauffeur's daughter Sabrina, who's long had a crush on him, but he questions his more serious brother's motives when he warns against getting involved with her.

Loosely based on the story of the singer Nellie Melba...

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.

Eva Dandridge has been in charge of her younger sisters ever since their parents died many years ago. She is a very uptight young woman who constantly meddles in the affairs of her sisters and their significant others. Her brothers-in-law, who are tired of Eva interfering in their lives, decide to set her up with someone so she can leave them alone. They end up paying Ray, the local "playboy," $5,000 to date her. The plan goes by smoothly, but trouble comes when Ray actually falls in love with Eva.

Milk the Maid stars newcomer Tia, who is cute, sexy and hot (not necessarily in this order). This erotic comedy tells the story of Milk, a Japanese sexy maid (Tia) who begins living with a Tokyo family. Initially turned off by the prospect of having another mouth to feed, the men of the family are reluctant to accepts Milk, but her irresistible charm kicks in, and she quickly finds her way into their hearts and bedrooms.

A little girl goes in search of her father who is reported missing by the military during the Second Boer War.

Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.

Charley Pearl, wealthy heir and gadabout, is slated to marry Adele, the daughter of a Hollywood tycoon. But, during a wild bachelor party in Las Vegas, Charley strikes up a flirtation with nightclub crooner Vicki Anderson that soon leads to her bedroom. When the couple are discovered by Vicki's beau, infamous gangster Bugsy Siegel, he makes a surprising pronouncement -- they'd better marry, or Charley is a dead man.

While working on a novel in his country home in Connecticut, married writer Tony Barrett develops romantic feelings for Manya Novak, the daughter of a neighboring farmer. Manya is unhappily engaged to Frederik Sobieski. After a snowstorm, Tony and Manya get trapped together in his house overnight. The next day, Manya's father insists that her wedding to Frederik take place in spite of Manya's misgivings. Drunkenness and jealousy result in tragedy at the wedding reception that night.

Ornithologist Abner Peacock sells off his modest-selling birdwatching periodical to a charlatan who turns it into a girlie mag, making it a massive financial success. After Peacock and the magazine are taken to court on obscenity charges, he unwillingly becomes a reluctant hero and ends up a swinging libertine.

Britt Reid, the heir to the largest newspaper fortune in Los Angeles, is a spoiled playboy who has been, thus far, happy to lead an aimless life. After his father dies, Britt meets Kato, a resourceful company employee. Realizing that they have the talent and resources to make something of their lives, Britt and Kato join forces as costumed crime-fighters to bring down the city's most-powerful criminal, Chudnofsky.

A young man awakens from a four-year coma to hear that his once virginal high-school sweetheart has since become a centerfold in one of the world's most famous men's magazines. He and his sex-crazed best friend decide to take a cross-country road trip in order to crash a party at the magazine's legendary mansion headquarters and win back the girl.

A former priest has become bored to the point of impotence by the easy availability of beautiful women. He misses the shame of the priesthood which made sex more enjoyable, and this leads to his strange fascination with photographing asses. He gets involved with a sexy married woman, but he is more interested in her virginal maid.

Marc Minkowski conducts the Orchestra and Chorus of the Opera National de Lyon in this 1997 production of Offenbach's opera starring Natalie Dessay, Yann Beuron, Jean-Paul Fouchecourt and Laurent Naouri.

In the 50's, in Paris, the neighbors Rodolfo and Mimi meet each other when Mimi's candle blows out in a cold and dark night. They immediately fall in love for each other, in times of financial difficulties in the post-war. Rodolfo introduces Mimi to his close friends Marcello and his beloved Musetta; Colline; and Schaunard and together they have a good-time in Café Momus. Some time later, Mimi tells Marcello that she can not support the jealousy of Rodolfo any longer and when Marcello discuss with Rodolfo, Mimi overhears the real reason for the behavior of her beloved Rodolfo.

This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character.

Gong-cheol cares for his new wife Eun-mi who cannot walk after a terrible accident. Enter the sexy maid Young-joo who comforts Gong-cheol who is tired of caring for Eun-mi. The two grow closer at home and Eun-mi witnesses it. Young-eun sees that Eun-mi is sad and cold and says something Eun-mi can't quite understand. Then, Eun-mi recalls the shocking past and her accident that had been surpressed in her memory.