Rayen Panday: Drie keer Rayen
A nice boy. That is-ie. Emilio Guzman. He will not fight. Does not seek conflict. He just wants it to go well with everyone. Everyone does what he can not leave. But unfortunately the world is not like that. Underdevelopment prevails. Tension. Anxiety and aggression determine Doing our affairs. Even late Emilio conduct regular surprise. While he was still a nice guy. And smart. He wants to understand what is going on. And why that's happening. And how it could run out. That hand so Ever chose Leiden Cabaret Festival Audience him the winner of one of the strongest ever finals. Now he takes the side of his audience. Not to say what they want to hear. But because he wants to be understood. And that can not leave. Let? We say do it!
Registration of the first theatre show by the Dutch comedian Sanne Wallis de Vries.
Sanne Wallis de Vries: Stuk
Tineke Schouten: Spiksplinternieuw
René came across himself at some point, just as everyone sometimes encounters themselves. From that moment one cannot help but ask: "Am I still good friends with myself after this shit?"
Registration of the eight solo show by the Dutch comedian Sara Kroos.
The critically acclaimed Dutch theatre show filmed live on stage. This fabulous and hilarious modern revue tackles themes such as pornography, dating apps, homosexuality and ponycamps in a uniquely musical way.
Tineke Schouten: Showiesjo
Tineke Schouten: Moet Niet Gekker Worden!
Tineke Schouten: Top Tien 1
Tineke Schouten: Top Tien 2
Registration of the second theatre program by the Dutch comedian Stefan Pop.
A stand-up comedy set by the Dutch comedian Daniël Arends, recorded live in Toomler in January 2007.
Youp recently found his fifty year old wigwam, which made him - when he was little - delighted.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.
Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).
Stage registration of the fourth comedy special (2006-2008) by the Dutch comedy troupe De Vliegende Panters (The Flying Panters). This show tells the story about who the Vliegende Panters really are.
A VICE Essential about the music and life of young Dutch people of Moroccan origin with the leading parts of the mocrorap.