At the start of the 80’s sport climbing was in its embryonic stages. Bolted routes were beginning to make a regular appearance, indoor climbing walls as we know them nowadays had not yet been invented and there was no such thing as being a pro athlete. During that period standards rose exponentially, from 7b+ as the cutting edge to 9a becoming the new world standard at the end of the ’80’s. In such a short period the sport changed beyond recognition and, in Britain, was fuelled by a small group of climbers who would do anything to climb full-time: sleeping in sheds underneath crags, shoplifting for food and clothes, and living off unemployment benefits. As illustrated in this film directed by Nick Brown, these climbers were living outside the rest of society and went on to become the most influential figures in the history of British sport climbing.
In 1976 with the Cold War raging, the Philadelphia Flyers took to the ice to play the unbeaten Russian Red Army team. What happened that day went down in sports history.
A film by Lee Rhoads uses unique archival photographs and footage of Los Angeles's love affair with automobiles. In the opening scene, a classic glimpse of Los Angeles and its car owners circa the 1970s is offered, and it deftly relates the transit history of the Los Angeles basin, beginning in the late 1800s.
Our premise is that work has become an act of self-sabotage. Empty corporate jargon, ever-changing management fashions and self-serving bureaucracy masquerading as efficiency hijacked the purpose of work. Creative documentary The Happy Worker will show how we got to this point and the very human behavior that led us here. We want to show how this unhealthy system is maintained and what keeps us from calling bullshit.
Two brothers from the hit '60s rock band PEOPLE! had their careers and relationship torn apart by Scientology. Through a journey of healing, they reunite decades later to face their shared trauma to break free from the grip of indoctrination and rebuild their fractured family anew. With a blend of music nostalgia and cult manipulation, it sheds light on the enduring power of resilience.
Galeria F
A moving portrait of Chilean singer-songwriter and political activist Victor Jara (1932-73) that chronicles the life of the talented artist who was imprisoned, tortured and machine-gunned by the country's dictatorship.
This Peabody Award-winning documentary from New Mexico PBS looks at the European arrival in the Americas from the perspective of the Pueblo Peoples.
The story of anti-apartheid activist John Harris - who was hanged after a fatal bombing in Johannesburg in 1964 - told by those who knew him best and through newly discovered home movies.
Je ne suis pas un singe
Documentary on the attempted murder of two Mexican day laborers in Farmingville, New York.
Resisterhood is a film about the power of women, hope and resistance in modern American politics. After the 2016 elections, we follows six diverse Americans as they fight for social justice on the streets and in the halls of power.
A 60th anniversary retrospective documentary on the influence and context of the 1962 film, To Kill a Mockingbird.
An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.
René Vautier, le rebelle
Montezuma is a 2009 BBC Television documentary film in which Dan Snow examines the reign of the Aztec Emperor Moctezuma II.
Based on a poem and archive images, the military aggression of the US army stationed in the Canal Zone against the Panamanian people who demand to raise their flag in the territory occupied since the beginning of the 20th century is reconstructed and denounced. The aggression that occurred between January 9 and 11, 1964 left a balance of 21 patriots.
Tehran, Iran, August 19, 1953. A group of Iranian conspirators who, with the approval of the deposed tyrant Mohammad Reza Pahlavi, have conspired with agents of the British MI6 and the US CIA, manage to put an end to the democratic government led by Mohammad Mosaddegh, a dramatic event that will begin the tragic era of coups d'état that, orchestrated by the CIA, will take place, over the following decades, in dozens of countries around the world.
In March 1973, the United Nations Security Council met in Panama City to debate the Panamanian claim for a new treaty that would end the colonial presence of the United States in its territory. The majority of the participating states of the Council recognize the justice of Panama's cause and give it their support, but the United States vetoes the resolution.
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.