From Richard Gale, mad maker of CRITICIZED, comes a film that will never have you looking at cutlery the same way again. Set-up as an epic-length trailer for an upcoming release, HORRIBLY SLOW... depicts a man's endless pursuit by what has got to be one of the most determined and patient murderers the screen has ever seen.
As a practical joke, an actor impersonates the screen monster he made famous. A lost film.
A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.
An alcohol/drug abuser re-examines his life until he nearly dies from an overdose. Then a friend convinces him to join a self-help group which turns out to be demonic.
Dealing with life's troubles is never easy. Many people find comfort in the soothing words of their trusted therapist. Mr. Talbot does not. His therapist, has a tough love approach. Not convinced of Talbot's assertion that he's a werewolf, she invites him to her office the evening of the full moon. Talbot insists that he's really dangerous. As the doctor insists Talbot's delusional, suddenly he begins to change. Prepared, Dr. Steiner has no trouble curing her patient. For good.
During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.
A green-skinned demon places a woman and two courtiers into a flaming cauldron.
A group of people is having a barbecue party when two Krishnas appear at their doorstep, both of which transform into hideous monsters and start killing everybody in gory ways. The survivors retreat to a friend's house and realize something bigger is going on...
A doctor must remove a parasite infestation from within a patient's breast.
One of the two earliest horror films ever made. This film is presumed lost.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
A sinister montage intimates the hellish void facing a man emptying bottles by the river. Sandy Fisher’s densely reverberating electronic score provides strong support for Lloyd Williams’ cultic collage of skulls, chess boards and fire.
Things of worth are often neglected in favour of that which might be more immediately gratifying. Unfortunately, the things that are neglected are often lost forever, irreplaceable. This is the story of a man with a misguided and intense focus – one which started in his youth and carried on to old age. His life events are chronicled through the loss of his teeth – and how his obsessive efforts to amend what was damaged bring on yet further destruction.
The selfishness of the bourgeoisie and the dull passivity of its servants are the theme of this puppet animation presenting the tragicomedy of a society in its death throes, taking refuge in absurd behaviour.
Alison is left home alone on Halloween night, but while chatting with her best friend Jenna over Skype, something terrifying happens to Jenna, leaving Alison helpless on the other side of the computer screen, watching in horror.
A young student meets an elderly antiques-loving couple looking for a help. They like her very much, and she's hired on the spot.
Two young security guards at an unusual corporation have a bad night.
You just woke up from an unspeakable nightmare. How does it feel? Relief? How would you feel if when you woke, the nightmare had just begun?
An old Indian legend tells of the supposed ability of persons who have been turned into wolves through magic power to assume human form at will for purposes of vengeance. This film is presumed lost.
Part of a series known as “Haunted Castles”.