The sofa, the fire, the silhouette. A home that disappears in ashes. After thirteen years of mental and physical confinement in that house, another confinement was necessary to face those images. Family photographs (90s-00s) and personal video archive footage filmed in 16mm and MiniDv between March and April 2019 during the move and the burning of the sofa, edited in quarantine, April 2020.
Mick Glasheen, an architect and pioneer of early cinema and experimental film, created work that was heavily influenced by media theorists. His video Teleologic Telecast from Spaceship Earth: On Board with Buckminster Fuller, 1970, is a re-mixed recording of a Buckminster Fuller’s lecture given at UNSW, presenting Fuller’s ideas on science, metaphysics and the universe, merged with just as radical techniques of moving image production, creating a multi-layered expression of image, voice, and sound.
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
The film juxtaposes/compares two museums: The Museum of Art, Ein Harod, Israel, which Samuel Bickels (1909-1975) built there in 1948, and The Menil Collection in Houston, Texas, built by Renzo Piano (b. 1937) 1986 . The method of natural lighting in Bickels‘s construction was the direct model for Piano, who adopted for his construction at the request of its patroness Dominique de Menil.
A bed of flowers.
Voz
A flicker film made with images taken in Malawi. FF was in response to an assignment given by artists Melissa Dubbin and Aaron Davidson who created the soundtrack to which they invited artists to make a “Future Film”.
An experimental and poetic portrait of a woman.
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
A docudrama about art and creativity; based on modern art gallery in Tehran and its founder Jazeh Tabatabai.
ABLAZE premiered at the 27th Singapore Film Festival, November 24, 2016
A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.
We live with stories. And it's hard for us to give up on these stories, which provide us our identity, a way of understanding ourselves. Reflections from three successive generations are dusted off and presented as remaining fragments. An attempt to archive thoughts on familial history, narrative traditions, human perception and "the story" from known and unknown sources. "There is history behind it and the history becomes the story and the story becomes the pattern and the pattern becomes rigidity."
Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.
An exploration of Rodez Cathedral and its stained glass windows: praying figures and scientific imagery. A study on color, repetition and flickering consisting of 292 photographs.
Experimental film inspired by Andy Warhol's 'Sleep'.
Two friends walk and draw circles. It is what it is, idizwadidiz, c’est ce que c’est, seskecé. Nice weather.
An experimental ethnographic documentary that criticizes the colonizer view of anthropology.
What kind of power is accessible through the discovery of a voice? Morgan Quaintance interlinks two anti-racist and anti-authoritarian liberation movements in South London and Chicago’s South Side with his own biography to explore what happens when speech is ignored, and the voice fades.
The discovery of a human torso thrown into a waterway, leads the viewer to observe the work of modern criminology and the task of special agents to track and record the psychopath's mentality through the elucidation of techniques present in the reality of the police investigation.