Joan Does Dynasty

Jürgen Leppert, also known as "Der Dreher" or "der Kreisel" is a graduate engineer, speaker inventor, 360 degree dancer, gifted Frisbee player and thoroughbred 68er. Everything revolves around the Karlsruher legend, and not just on the dance floor. A declaration of love to music, dancing and rebellion. A portrait of a tough person who still swims against the stream and the living proof that 81 years is far from too old for hard raves.

HALF THE ROAD is a documentary film that explores the world of women's professional cycling, focusing on both the love of sport and the pressing issues of inequity that modern-day female riders face in a male-dominated sport. With footage from some of the world's best races to interviews with Olympians, world champs, rookies, coaches, managers, officials, doctors and even the U.S. Surgeon General, HALF THE ROAD offers a unique insight into the drive, dedication and passion it takes for a female cyclist to thrive despite oppression. Both on and off the bike, the voices and advocates of women's pro cycling take the audience on a journey of enlightenment, depth, strength, love, humor and best of all, change and growth.

The Oystermen of Pointe a la Hache, Louisiana. This town of nearly 300 is struggling to survive following the BP Oil Spill that left their crop dead, finances in ruin and culture facing extinction. This community has a history of being overlooked by the State, and therefore, are taking matters into their own hands, to assure their voice is heard so that they may not otherwise vanish

He’s from a place so old it’s been called the cradle of mankind. She’s led a privileged life in America without hardship or pain. Together these two unlikely friends embark upon a journey from the heights of Mt. Kilimanjaro to the depths of an AIDS ravaged village where even the smallest children become outcasts at the mere hint of the disease and malaria is an ever-present threat. As Venance and Kristen experience the ancient culture, heart-breaking poverty, and eternal spirituality of Venance’s motherland, the ability of the Tanzanian people to love, dream, and persevere in the face of overwhelming hardship triggers a life-changing transformation in Kristen—one that brings her face to face with her own mortality and will ultimately cause thousands of lives to be saved. Tanzania: A Journey Within is a dramatic, emotional, and visually stunning odyssey that will challenge and inspire you.

Finding love is never easy. For Ravi Patel, a first generation Indian-American, the odds are slim. His ideal bride is beautiful, smart, funny, family-oriented, kind and—in keeping with tradition—Indian (though hopefully raised in the US). Oh, and her last name should be Patel because in India, Patels usually marry other Patels. And so at 30, Ravi decides to break up with his American girlfriend (the one who by all accounts is perfect for him except for her red hair and American name) and embark on a worldwide search for another Patel longing to be loved. He enlists the help of his matchmaker mother, attends a convention of Patels living in the US and travels to wedding season in India. Witty, honest and heartfelt, this comedy explores the questions with which we all struggle: What is love? What is happiness? And how in the world do we go about finding them?

Set in the military outpost of San Antonio, Texas, AFTER FIRE highlights the challenges faced by the fastest-growing group of American veterans: women, who now account for one in five new recruits to the U.S. Armed Forces. Demonstrating courage during their military service and resilience in its aftermath, three women military veterans candidly confront the fallout of their experiences on their personal lives as they adjust to the civilian world. The film throws a spotlight on the human toll of military service - including military sexual trauma, combat injuries and bureaucratic dysfunction - telling a universal story about strength in the aftermath of trauma.

Home movies, photographs, and recited poetry illustrate the life of Tupac Shakur, one of the most beloved, revolutionary, and volatile hip-hop MCs of all time.

Jon Stewart performs a solo standup routine, telecast live from Miami, Florida.

After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.

The movie revolves around the factory worker figure evolution from post-WWII in Italy, with the emigration from southern to northern regions, the years of economic boom, the strikes, the riots and the infamous march of the 40000 in Turin in 1980.

Shows efforts on New York's Lower East Side to revive abandoned buildings through the work and persistence of the local, predominantly Latino residents.

Dr Iain Stewart tells the story of how Earth works and how, over the course of 4.6 billion years, it came to be the remarkable place it is today.

The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.

Pensioners, lawyers, married couples and teenagers are all customers at the Angel Love Hotel in Osaka Japan. With unprecedented access into one of the most private and anonymous spaces in Japanese society, this film follows the love hotel's struggling manager and staff as the try to keep their hotel running, as well as revealing the intimate and private lives of the customers who visit.

An intimate, psychological portrait of collage artist Lance Letscher.

Iverson is the ultimate legacy of NBA legend Allen Iverson, who rose from a childhood of crushing poverty in Hampton, Virginia, to become an 11-time NBA All-Star and universally recognized icon of his sport. Off the court, his audacious rejection of conservative NBA convention and unapologetic embrace of hip hop culture sent shockwaves throughout the league and influenced an entire generation. Told largely in Iverson's own words, the film charts the career highs and lows of one of the most distinctive and accomplished figures the sport of basketball has ever seen.

Acclaimed Montreal band Thee Silver Mt. Zion Memorial Orchestra is one of a growing number of rock groups to have accepted an infant into their touring tribe. Touring with children is both costly and complicated, yet SMZ are determined to combine family life and being on the road with the band's deep political commitment.

Carole Laganière dives deeply into personal territory in this beautifully crafted exploration of absence and loss and its painful effect on daily lives. Inspired by her mother’s steadily advancing Alzheimer’s and the inevitability of her estrangement, Laganière weaves their story with the stories of others wrestling with loss: Ines, an immigrant who returns to her birth country of Croatia to find the mother who abandoned her during the war; Deni, an American author who’s finally able to search for his Quebec roots; and Nathalie, who’s desperately looking for her missing sister. Through their experiences the film ponders how absence is often the catalyst for a quest—a quest for information, understanding and often acceptance. Through its many voices, Absences speaks to us of the immense fragility and resiliency of human emotions.

In the table that symbolizes the value of traditional women, a woman who wants to break free from her family must face her daughter.

Aria Dean explores the black creative labour put into memes, images defined not by their content but by how they are circulated, mutated and compressed. While all memes lack attribution, Dean illustrates a palpable link between white appropriation of memes created by black people and a deeper lineage of theft and leering fascination.