Millowitsch-Theater - Das Glücksmädel

Le chien des Baskerville

A husband plans to shoot the man having an affair with his wife, but both come to realise their desire to escape the tyrannical woman in their lives.

In his desirable mansion, a widower wants to marry again with a twenty-year old brunette. His children disagree and they tell him so .

Ma femme est folle

La Dame de chez Maxim

Broadcast live on the Hallmark Hall of Fame series on NBC, a pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.

Isabella Eklöf is an unemployed actress in her early thirties. Her friends all enjoy stable relationships, children and successful careers. In order to jump-start her life she decides to lie a bit on her next job application with unexpected consequences.

Humble Maria, who outfits top London theater star Ned Kynaston, takes none of the credit for the male actor's success at playing women. And because this is the 17th century, Maria, like other females, is prohibited from pursuing her dream of acting. But when powerful people support her, King Charles II lifts the ban on female stage performers. And just as Maria aided Ned, she needs his help to learn her new profession.

Les présidentielles de l'humour

Marika is a cheerful girl who lives on the Danube aboard an old barge she inherited from her father. She works as a waitress in her aunt's inn, entertaining the guests with singing and dancing. Her greatest dream is to save enough money to repair the old barge and sail down the Danube. One day, she meets three young artists, Georg, Oskar, and Christoph, who all fall in love with her. Together, they put on an open-air revue and raise the necessary money. And with Georg, Marika is lucky in love.

Bruno and Florence invited Sophie and Alex for the evening, but nothing goes as planned between the successful author, the brilliant entrepreneur and their respective wives, two sisters. Contradictions, anxieties, bad faith and pettiness come around the table. A delightful cascade of incidents quickly transforms the family reunion into a crazy night where secrets, bottles and unsaid are shattered until the two couples, caught in an irresistible whirlwind, formulate the most unexpected.

Le Tombeur

Pour avoir Adrienne

Valentine Matignon is a renowned perfumer, "nose". She has had a relationship for 15 years with Gérard, and is about to break up because she is bored. Patrick appears, a lively florist, who gives him the bouquet that Gérard ordered to be forgiven for being late. Patrick makes him a dishonest proposition which she ends up accepting. She takes a funny "sunburn".

New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.

Rumeurs

Bonté divine !

Early in the 20th century, middle-aged lawyer Fredrik Egerman and his young wife, Anne, have still not consummated their marriage, while Fredrik's son finds himself increasingly attracted to his new stepmother. To make matters worse, Fredrik's old flame Desiree makes a public bet that she can seduce him at a romantic weekend retreat where four couples convene, swapping partners and pairing off in unexpected ways.

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

Members of the Camorra on the run and actors seeking for authority meet after a shipwreck on an island-prison. The theatre turns into a free zone where everyone may not be able to recover their social role but for sure their humanity. Somebody can even get love back. Shakespeare and Eduardo De Filippo blend together in a picaresque comedy full of coup de théâtre.