The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.
A group of jaded 1920s socialites defile the shrine of an ancient, evil sect and suffer horrific consequences as a result. Screened publicly only once, this film is considered lost as the answer print was badly damaged following its premiere screening. No other prints are known to exist, though fragments and still photos have surfaced from time to time.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
Doctor Zorba and his followers plan to bring Dracula back to life using electronic means, using blood from victims. Batman saves Marita Banzon and defeats Dracula's creators.
In this story the hero is haunted by a beautiful young woman who tries to stab him to death with a knife. This fantasy recurs on each of his birthdays, becoming more and more real as the years go on. He leaves home to secure a place as groom, but arrives at his destination too late. Forced to retrace his steps, he seeks shelter in a little inn, forgetting that the hour of his birth is approaching. In the middle of the night he awakens, terrified with fright… Based on Wilkie Collins' novel “The Dream Woman”.
After coming under suspicion for a computer technician's murder, six hackers team up to try to find the real killer.
The abandoned Balfour House, the owner of which was found dead five years earlier, comes back to life with the arrival of two suspicious sinister-looking tenants. This film was lost in the 1965 MGM vault fire; only a few stills exist.
Earthquakes in central Korea turn out to be the work of Yongary, a prehistoric gasoline-eating reptile that soon goes on a rampage through Seoul.
Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings. A lost film.
A Son of Satan is a 1924 silent race film directed, written, produced and distributed by Oscar Micheaux. The film follows the misadventures of a man who accepted a bet to spend a night in a haunted house. Micheaux shot the film in The Bronx, New York, and Roanoke, Virginia. A Son of Satan ran into distribution problems when state censorship boards rejected the film based on its contents. New York censors objected to the film’s depiction of violence, particularly against women and animals (a cat is killed onscreen in one scene, a Ku Klux Klan leader is slain and a man chokes his wife to death), while Virginia censors complained the film’s references to miscegenation would "prove offensive to Southern ladies". In at least one state the film was banned for its title alone No print of the film is known to exist and it is presumed to be a lost film.
Loose adaptation of Mary Shelley‘s “Frankenstein”.
Much-married and once successful writer Henry T. Aythecliff, now heavily in debt, summons his three ex-wives to his mansion, planning to extort a sizable amount of money from each. When he is discovered dead, clues indicate that each of his four wives had motive and opportunity to murder him, and a young detective must sift through some ingeniously devised evidence.
A murdering skyjacker parachutes to safety and poses as a novice monk in an isolated New Mexico monastery.
A youth waits for his brother to return home from a bloody war. He encounters something very nasty and evil in the basement of his house, claiming his older brother has in fact died.
A man discovers that he has two personalities--and one of them is a notorious strangler.
Barry Craven meets former sweetheart Gillian Locke, who is visiting India with her father. Craven's love for Gillian is revived, but he already has a wife, Lolaire, a native. In a jealous rage, Lolaire kills herself, freeing Craven, who returns to England and marries Gillian. His Indian servant, Kunwar Singh, casts a spell on Craven, causing him to leave Gillian and to go into the Algerian desert. There he joins Said, an old university friend who is the son of an Algerian sheik. Gillian follows, the servant is killed, and with him dies the spell, "The Shadow of the East."
A condemned man uses hypnotism on a judge. After the man's death, the judge finds himself acting like the condemned man.
Frivolous young Marie de Severac is frightened into following a more virtuous path, when her father relates a story in which an equally frivolous woman is entombed alive. The movie was Rex Ingram’s directorial debut, and he later remade the film as Trifling Women in 1922. Black Orchids is considered to be a lost film.
An old Indian legend tells of the supposed ability of persons who have been turned into wolves through magic power to assume human form at will for purposes of vengeance. This film is presumed lost.
A mystery novelist meticulously creates an alibi to keep her husband from being convicted of murder.