D'une rive à l'autre

Silhouette film. Based on Bizet’s opera “Carmen”.

A musical odyssey about trauma and the retreat of humanity into itself.

A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.

A sheltered boy with a dream of starring on Broadway survives day-to-day life by imagining the world as a musical.

After being discovered trying to escape, a woman must survive the night with her abusive girlfriend.

A struggling drummer trapped by his creative block embarks on an isolated journey through his memories, confronting the turmoil that stands between him and his rhythm.

A satire of 1990s pop culture.

Anna Kendrick joins the K-Pop supergroup f(x) on their World Tour and things go as well as you'd expect.

A dejected husband exiles himself to the Moon with his cat. He sends back transmissions to Earth.

A shopping center along a large highway is the scene of an apocalyptic musical. Animation with a strong sense of form set to auto-tuned music by Klungan. About liberation through great catastrophy.

This short animation draws on advanced digital technologies to offer a new vision of dance in cinema. With motion capture (MoCap) and particle processing, designers Denis Poulin and Martine Époque create virtual dancers free of their morphological appearance. In this balletic and hypnotic film, dynamic traces carry the motion of the real dancers behind the on-screen movements. Addressing environmental themes by way of metaphor, CODA is a fused universe where space and time collide, deploy, and dissolve. In this technically and formally innovative film, luminous bodies in the infinite space of the cosmos transform and evolve to the rhythms of Stravinsky’s Rite of Spring.

Misha observes the area with binoculars. In the infinite white, he notices Gia, as lonely as himself.

When Ethan, an Emo kid who hates almost everything, falls in love with Trinity, a good Christian girl with a passion for life and her Lord Jesus Christ, will they be able to live happily ever after?

The demons of hell play music for Satan, whose delight turns to wrath when an insubordinate refuses to become food for Cerberus.

A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.

A girl with amnesia believes she is a bachelor's wife.

Mal Hallett and his Orchestra perform three songs with featured dancers

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

A woman wakes up after a car accident in a strange world.

A very unusual wedding unfolds in front of a woman.